Unsettling Encounters: First Nations Imagery in the Art of Emily Carr
Language: English
Published by University of British Columbia Press, 2007
- Hardcover
- New
Seller: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condition: New
£ 104.86
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Add to basketItem description from seller
Featuring almost 300 illustrations, including 90 colour plates, Unsettling Encounters reconstructs a neglected aspect of Carr's art and is a fresh assessment of her significance as a leading figure in early 20th-century modernism. Num Pages: 400 pages, 283 illus., 83 in color. BIC Classification: ACX; AFC; AGB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 7747 x 5817 x 38. Weight in Grams: 1974. . 2006. Hardcover. . . . . Books ship from the US and Ireland.
Seller Inventory # V9780774812825
- Title
- Unsettling Encounters: First Nations Imagery in the Art of Emily Carr
- Author
- Gerta Moray
- Publisher
- University of British Columbia Press
- Publication year
- 2007
- Condition
- New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0774812826
- ISBN 13
- 9780774812825
Unsettling Encounters radically re-examines Emily Carr’s achievement in representing Native life on the Northwest Coast in her painting and writing. By reconstructing a neglected body of Carr’s work that was central in shaping her vision and career, it makes possible a new assessment of her significance as a leading figure in early-twentieth-century North American modernism.
Gerta Moray vividly recreates the rapidly changing historical and social circumstances in which the artist painted and wrote. Carr lived and worked in British Columbia at a time when the growing settler population was rapidly taking over and developing the land and its resources. Moray argues that Carr’s work takes on its full significance only when it is seen as a conscious intervention in Native-settler relations. She examines the work in the context of images of Native peoples then being constructed by missionaries and anthropologists and exploited by promoters of world’s fairs and museums. Carr’s famous, highly expressive later paintings were based to a great extent on her early experiences of travel to First Nations communities. At the same time they were a response to the hopes and anxieties that attended the rapid modernization of North American culture in the 1920s and ’30s.
Moray explores Carr’s participation, with the Group of Seven, in an agenda of building a national culture and her sense of her own position as a woman artist in this masculine arena. Unsettling Encounters is the definitive study of Carr’s ‘Indian’ images, locating them within both the local context of Canadian history and the wider international currents of visual culture.
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