Ulysses: The Corrected Text
Language: English
Published by Random House, New York, 1986
- Hardcover
- Used
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.Argosy Book Store, ABAA, ILAB
AbeBooks seller since September 25, 1996
Condition: Used
£ 25.97
Quantity: 1 available
Add to basketItem description from seller
Edited by Hans Walter Gabler, with Wolfhard Steppe and Claus Melchior. 649 pages. Tall thick 8vo, black cloth, d.w. New York: Random House, (1986). First edition. Edges foxed, dust wrapper lightly chipped at top edge.
Seller Inventory # 337208
- Title
- Ulysses: The Corrected Text
- Author
- JOYCE, James
- Publisher
- Random House, New York
- Publication year
- 1986
- Dust jacket
- dj
- Binding
- hardcover
- Language
- English
- ISBN 10
- 039455373X
- ISBN 13
- 9780394553733
- Edition
- First.
From the Trade Paperback edition.
"Synopsis" may belong to another edition of this title.
Review
Among other things, a novel is simply a long story, and the first question about any story is "What happens?" In the case of Ulysses, the answer could be "Everything". William Blake, one of literature's sublime myopics, saw the universe in a grain of sand. Joyce saw it in Dublin, Ireland, on June 16, 1904, a day distinguished by its utter normality. Two characters, Stephen Dedalus and Leopold Bloom, go about their separate business, crossing paths with a gallery of inforgettable Dubliners. We watch them teach, eat, loiter, argue and (in Bloom's case) masturbate. And thanks to the book's stream- of-consciousness technique--which suggests no mere stream but an impossibly deep, swift-running river-- we're privy to their thoughts, emotions and memories. The result? Almost every variety of human experience is crammed into the accordion-folds of a single day, which makes Ulysses not just an experimental work but the very last word in realism.
Both characters add their glorious intonations to the music of Joyce's prose. Dedalus's accent--that of a freelance aesthetician, who dabbles here and there in what we might call "Early Yeats Lite"-- will be familiar to readers of Portrait of an Artist As a Young Man. But Bloom's wistful sensualism (and naïve curiosity) is something else entirely. Seen through his eyes, a rundown corner of a Dublin graveyard is a figure for hope and hopelessness, mortality and dogged survival: "Mr Bloom walked unheeded along his grove by saddened angels, crosses, broken pillars, family vaults, stone hopes praying with upcast eyes, old Ireland's hearts and hands. More sensible to spend the money on some charity for the living. Pray for the repose of the soul of. Does anybody really?" --James Marcus
"About the title" may belong to another edition of this title.
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