Between Two Fires: Gypsy Performance and Romani Memory from Pushkin to Post-Socialism
Language: English
Published by Duke University Press, 2000
- Softcover
- New
Seller: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condition: New
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Add to basketItem description from seller
Since Tsarist times, Roma in Russia (known to others as Gypsies) have been portrayed as rebels, isolated from society and excluded from mainstream history. This book examines how Roma themselves have negotiated such dualities, in both everyday interactions and in stage performances. Num Pages: 320 pages, 18 b&w photographs, 1 table, 1 map. BIC Classification: 1DVUA; 3JH; 3JJ; AN; HBTB; JFC; JFSL; JHMC. Category: (P) Professional & Vocational. Dimension: 227 x 154 x 23. Weight in Grams: 499. . 2000. Paperback. . . . . Books ship from the US and Ireland.
Seller Inventory # V9780822324935
- Title
- Between Two Fires: Gypsy Performance and Romani Memory from Pushkin to Post-Socialism
- Author
- Alaina Lemon
- Publisher
- Duke University Press
- Publication year
- 2000
- Condition
- New
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 0822324938
- ISBN 13
- 9780822324935
Lemon’s ethnographic study is based on extensive fieldwork in 1990s Russia and focuses on Moscow Romani Theater actors as well as Romani traders and metalworkers. Drawing from interviews with Roma and Russians, observations of performances, and conversations, as well as archives, literary texts, and media, Lemon analyzes the role of theatricality and theatrical tropes in Romani life and the everyday linguistics of social relations and of memory. Historically, the way Romani stage performance has been culturally framed and positioned in Russia has served to typecast Gypsies as “natural” performers, she explains. Thus, while theatrical and musical performance may at times empower Roma, more often it has reinforced and rationalized racial and social stereotypes, excluding them from many Soviet and Russian economic and political arenas. Performance, therefore, defines what it means to be Romani in Russia differently than it does elsewhere, Lemon shows. Considering formal details of language as well as broader cultural and social structures, she also discusses how racial categories relate to post-Soviet economic changes, how gender categories and Euro-Soviet notions of civility are connected, and how ontological distinctions between “stage art” and “real life” contribute to the making of social types. This complex study thus serves as a corrective to romantic views of Roma as detached from political forces.
"Synopsis" may belong to another edition of this title.
About the Author
Alaina Lemon is Assistant Professor of Anthropology at the University of Michigan, Ann Arbor.
"About the title" may belong to another edition of this title.
Kennys Bookstore
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