Turning Images in Philosophy, Science, and Religion; A New Book of Nature
Language: English
Published by Oxford University Press, USA, 2011
- Hardcover
- Used
Seller: Michener & Rutledge Booksellers, Inc., Baldwin City, KS, U.S.A.Michener & Rutledge Booksellers, Inc.
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Text clean and tight; 1.02 x 9.21 x 6.14 Inches; 288 pages.
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- Title
- Turning Images in Philosophy, Science, and Religion; A New Book of Nature
- Author
- Taliaferro, Charles & Jil Evans
- Publisher
- Oxford University Press, USA
- Publication year
- 2011
- Condition
- Very Good+
- Dust jacket
- Very Good
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0199563349
- ISBN 13
- 9780199563340
The debate between "new atheists" and religious apologists today is often hostile. This book sets a new tone by locating the debate between theism and naturalism (most "new atheists" are self-described "naturalists") in the broader context of reflection on imagination and aesthetics. The eleven essays will be of interest to anyone who is fascinated by the power of imagination and the role of aesthetics in deciding between worldviews or philosophies of nature. Representing a variety of points of view, authors include outstanding philosophers of religion and of science, a distinguished art historian, and a visual artist.
The book begins with Martin Kemp's essay on the work of the biologist, mathematician and classical scholar D'Arcy Wentworth Thompson in which Kemp develops the idea of "structural intuitions and a critique of reductive thinking about the natural world. This is followed by Geoffrey Gorham's overview and analysis of images of nature and God found in early modern science and philosophy. Anthony O'Hear questions a reductive, naturalist account of the origin of mind and values. Dale Jacquette offers a thoroughgoing naturalistic philosophy of the emergence of intentionality and a unique argument about the emergence of art and the aesthetic appreciation of nature. E.J. Lowe brings to light some challenges facing naturalistic approaches to human imaginative sensibility. Douglas Hedley articulates and defends a cognitive account of imagination, highlighting some of the difficulties confronting naturalism. Daniel N. Robinson offers a sweeping treatment of nature and naturalism, historically engaging Aristotle, Kant, Hegel and others. Conor Cunningham provides an aggressive critique of contemporary naturalism. Gordon Graham investigates the resources of naturalism in accounting for our sense of the sacred. Mark Wynn provides a subtle understanding of imagination and perception, suggesting how these may play into the theism - naturalism debate. The book concludes with Jil Evans' reflections on how images of the Galapagos Islands have been employed philosophically to picture either a naturalist or theistic image of nature.
"Synopsis" may belong to another edition of this title.
About the Author
Jil Evans is a visual artist whose paintings have been exhibited throughout the U.S. and in Europe and the co-author of The Image in Mind: Theism, Naturalism and the Imagination
"About the title" may belong to another edition of this title.
Michener & Rutledge Booksellers, Inc.
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