Tropical Multiculturalism: A Comparative History of Race in Brazilian Cinema and Culture
Language: English
Published by Duke University Press, 1997
- Softcover
- New
Seller: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condition: New
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Add to basketItem description from seller
Provides a major study of race in Brazilian culture through the most complete critical analysis of Brazilian cinema in any language. This title examines the broad historical and cultural links that connect Brazil and the United States before considering multicultural imagery in Brazilian film as it has changed from the silent era to the present. Series: Latin America Otherwise. Num Pages: 432 pages, 136 photographs. BIC Classification: APFA; JFC; JFSL. Category: (P) Professional & Vocational. Dimension: 233 x 158 x 31. Weight in Grams: 740. . 1997. Paperback. . . . . Books ship from the US and Ireland.
Seller Inventory # V9780822320487
- Title
- Tropical Multiculturalism: A Comparative History of Race in Brazilian Cinema and Culture
- Author
- Robert Stam
- Publisher
- Duke University Press
- Publication year
- 1997
- Condition
- New
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 0822320487
- ISBN 13
- 9780822320487
Stam examines the broad historical and cultural links that connect Brazil and the United States before considering multicultural imagery in Brazilian film as it has changed from the silent era to the present. His analysis moves through the comic chanchadas of the 1930s and 1940s, to the Hollywood-style films from Sao Paulo in the 1950s, and the diverse phases of Cinema Novo beginning in the 1960s. He explores a wealth of subjects, including the submerged "blackness" of Carmen Miranda, the anti-racist agenda of Orson Welles’s never-released Brazilian film It’s All True, the international background behind Black Orpheus, the career of Grande Otelo (Brazil’s greatest black film star), the allegorical "cannibalistic" films like How Tasty Was My Frenchman, and "indigenous media"—the attempt by Brazilian "indians" to use camcorders and VCRs for their own cultural and political purposes. Tropical Multiculturalism is simultaneously a history of Brazilian cinema from the standpoint of race, a history of Brazil itself through its cinematic representations, a comparative study of racial formations in Brazil and the United States, and a theorized analysis of racialized representations.
"Synopsis" may belong to another edition of this title.
About the Author
Robert Stam is Professor of Cinema Studies at New York University. He is the author of Subversive Pleasures and coauthor of Unthinking Eurocentrism: Multiculturalism and the Media, and Brazilian Cinema.
"About the title" may belong to another edition of this title.
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