Transits: Literature, Thought & Culture: Rococo Fiction in France, 1600-1715: Seditious Frivolity
Language: English
Published by Bucknell University Press, 2013
Series: Book 15 of 76 - Transits: Literature, Thought & Culture 1650-1850
- Hardcover
- Used

Seller: Anybook.com, Lincoln, United KingdomAnybook.com
AbeBooks seller since December 22, 1999
Condition: Used - Good
£ 36.72
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Add to basketItem description from seller
This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9781611484366.
Seller Inventory # 5785998
- Title
- Transits: Literature, Thought & Culture: Rococo Fiction in France, 1600-1715: Seditious Frivolity
- Author
- Stedman, Allison
- Publisher
- Bucknell University Press
- Publication year
- 2013
- Condition
- Good
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 1611484367
- ISBN 13
- 9781611484366
- Item weight
- 600 grams
- Series
- Book 15 of 76: Transits: Literature, Thought & Culture 1650-1850
- Seller catalogs
- French Language & Literature
The first part of the study investigates the relationship between Montaigne’s philosophy of literary production and those of early seventeenth-century “table-talk” novelists, libertine writers, and playwrights involved in the quarrel over Corneille’s play Le Cid. She thus establishes the existence of a rococo philosophy of literary production whose goal was to innovate, to bring pleasure, and to create communities. The second part of the study explores the impact that the Duchess de Montpensier’s literary portrait galleries, Jean Donneau de Visé’s periodical the Mercure Galant, and other forms of rococo literary production—by such authors as Charles Sorel, Alcide de Saint-Maurice, J.N. de Parvial and Jean de Préchac—had in the creation of a textually mediated social sphere that served as the foundation of the publicly critical culture of the French Enlightenment. The study concludes with an investigation of the influx of salon sociability into the textually mediated social sphere during the 1690s. Stedman examines the role of interpolated literary fairy tales, proverb plays and other rococo publication strategies—in such late seventeenth-century women writers as d’Aulnoy, Lhéritier, Murat, and Durand—in transfiguring the salon from an exclusive social circle mediated by physical presence to an inclusive social diaspora mediated by texts. Rococo Fiction in France challenges established views of early modern French literary history and discusses a range of little known works in a generous and engaging manner.
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Anybook.com
Lincoln, United Kingdom
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