Transformationen der Antike bei Raffael und seinem Umkreis: Concetti anticamente moderni e modernamente antichi in der Sala di Costantino (German Edition)
Language: German
Published by Deutscher Kunstverlag (DKV), 2026
- Hardcover
- New
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In German.
Seller Inventory # ria9783422801059_new
- Title
- Transformationen der Antike bei Raffael und seinem Umkreis: Concetti anticamente moderni e modernamente antichi in der Sala di Costantino (German Edition)
- Author
- Chatzidakis, Michail
- Publisher
- Deutscher Kunstverlag (DKV)
- Publication year
- 2026
- Condition
- New
- Binding
- Hardcover
- Language
- German
- ISBN 10
- 3422801057
- ISBN 13
- 9783422801059
- Item weight
- 1,052 grams
Die von Raffael entworfenen und von Giulio Romano ausgeführten Wandmalereien der Schlacht an der Milvischen Brücke und der Kreuzesvision in der nach dem Freskenzyklus benannten Sala di Costantino im Vatikan gelten in der Forschung als Ergebnis des intensiven Studiums antiker Sachverhalte im Raffaelkreis und des Bemühens um eine historisch korrekte Annäherung an die antike Kunst. Doch Raffael wurde bereits von Giorgio Vasari, Ludovico Dolce und Annibale Carracci nicht nur aufgrund seiner antiquarischen Kompetenz, sondern auch wegen seiner poetischen Qualitäten als herausragender Historienmaler gewürdigt. Ausgehend von der Formel anticamente moderno e modernamente antico, mit der Pietro Aretino Giulio Romanos ideale Synthese von antiker und zeitgenössischer Kunst beschreibt, analysiert Michail Chatzidakis den Unterschied zwischen historischen und dichterischen Darstellungsverfahren, um so das Verhältnis zwischen archäologischer Präzision und poetischer Kreativität bei Raffael und seinem Umkreis in der Sala di Costantino genauer zu bestimmen.
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About the Author
Michail Chatzidakis, Wissenschaftlicher Mitarbeiter beim DFG-Projekt "Ikonophilie, Bildkritik, ornamenta ecclesiae: Päpstliche Konzepte pragmatischer Bild-, Objekt- und Ornamentkultur, 600-900", Humboldt-Universität zu Berlin
Michail Chatzidakis is a research associate and lecturer at the Institute for Art and Visual History, Humboldt University Berlin. After studying art history, history, philology and archaeology in Rethymnon and Berlin, where he also worked on the Census of Antique Works of Art and Architecture project, and scholarship stays in Florence (KHI) and London (Warburg Institute), he completed a doctorate at Humboldt University (2012). From 2013-2016 and 2017-2020 respectively, he was a research associate in the DFG projects Knowledge and Imagination - Pictorial Transformations of Roman History(ies) in the Italian Renaissance, and Pictorial Criticism and Pragmatic Pictorial Culture in the European Middle Ages: The Libri Carolini and Carolingian Pictorial Art, both at Humboldt University Berlin. He currently holds a position as a research assistant in the DFG project Iconophilia, Image Criticism, ornamenta ecclesiae: Papal Concepts of Pragmatic Image, Object and Ornament Culture, 600-900.
"About the title" may belong to another edition of this title.
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