Theatre in Education in Britain: Origins, Development and Influence (Paperback or Softback). This item is unavailable.Theatre in Education in Britain: Origins, Development and Influence (Paperback or Softback)

Following on from the 50th anniversary of the birth of Theatre in Education in Britain in 2015, this is an essential and timely companion to the story of TIE. It contextualizes it within the political and educational landscape of the last fifty years and examines its legacy today. Through this, Roger Wooster offers insights into future possibilities and applications in the field of Applied Theatre, drama in schools and pedagogical theory. With examples and analysis of international developments in TIE, and a foreword by Philip Taylor (NYU, USA), the volume provides a wide-ranging account of past and current practice. Across its three sections the volume examines the origins, work and legacy of TIE, considering for the first time its practical details. Each section features an Afterword by a leading practitioner reflecting on the work (including Warwick Dobson, Chris Vine and Anthony Jackson), and chapters draw on case studies and interviews with key practitioners. Chapter summaries and a companion website further enhance the text as a valuable teaching resource for theatre educators.

Roger Wooster worked in theatre, radio and television during his career. In 1990 he moved into academia where he worked at FE and HE levels teaching performing arts including screen-acting modules. He gave papers at many international conferences and was widely published in a range of academic journals. His Contemporary Theatre in Education was published in 2006 and in 2016 a major study of educational theatre, Theatre in Education in Britain, was published by Methuen Drama.

Philip Taylor is Associate Professor of Educational Theatre at New York University, USA, where he has been Director of the Program in Educational Theatre since 2003. Dr Taylor established the International Institute in Drama in Education Research Institute (IDIERI) which has met in Australia, Canada, England, Jamaica, and the United States. He was inaugural director of the first centre in Australia dedicated to applied theatre research, Centre for Applied Theatre Research, Griffith University, 1997-2001, and was foundation editor of Applied Theate Researcher.