Terror and the Cinematic Sublime (Paperback). This item is unavailable.
Language: English
Published by McFarland & Co Inc, Jefferson, NC, 2013
- Softcover
- New

Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
AbeBooks seller since October 12, 2005
Condition: New
£ 31.45
Item description from seller
Paperback. This collection considers film in the aftermath of September 11, 2001. Eleven essayists address Hollywood movies, indie film, and post-cinematic media, including theatrical films by directors such as Steven Spielberg, Darren Aronofsky, Quentin Tarantino and Spike Lee, and post-cinematic works by Wafaa Bilal, Douglas Gordon and Peter Tscherkassky, among others. All of the essays are written with an eye to what may be the central concept of our time, the sublime. The sublime--that which can be thought but not represented (the "unpresentable")--provides a ready tool for analyses of trauma, horror, catastrophe and apocalypse, the military-industrial complex, the end of humanism and the limits of freedom. Such essays take the pulse of our cultural moment, while also providing the reader with a sense of the nature of the sublime in critical work, and how it continues to evolve conceptually in the 21st century. "The sublime provides a ready tool for analyses of trauma, horror, catastrophe and apocalypse, the military-industrial complex, the end of humanism, and the limits of freedom. Such essays take the pulse of our cultural moment, while providing the reader with the dual nature of the sublime in critical work, and how it continues to evolve conceptually"--Provided by publisher. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …
Seller Inventory # 9780786472079
- Title
- Terror and the Cinematic Sublime (Paperback)
- Author
- Todd A. Comer
- Publisher
- McFarland & Co Inc, Jefferson, NC
- Publication year
- 2013
- Condition
- new
- Binding
- Paperback
- Language
- English
- ISBN 10
- 0786472073
- ISBN 13
- 9780786472079
This collection considers film in the aftermath of September 11, 2001. Eleven essayists address Hollywood movies, indie film, and post-cinematic media, including theatrical films by directors such as Steven Spielberg, Darren Aronofsky, Quentin Tarantino and Spike Lee, and post-cinematic works by Wafaa Bilal, Douglas Gordon and Peter Tscherkassky, among others. All of the essays are written with an eye to what may be the central concept of our time, the sublime. The sublime--that which can be thought but not represented (the "unpresentable")--provides a ready tool for analyses of trauma, horror, catastrophe and apocalypse, the military-industrial complex, the end of humanism and the limits of freedom. Such essays take the pulse of our cultural moment, while also providing the reader with a sense of the nature of the sublime in critical work, and how it continues to evolve conceptually in the 21st century.
"Synopsis" may belong to another edition of this title.
About the Author
Lloyd Isaac Vayo is an adjunct instructor at Concordia University-St. Paul and has published in the Journal of Sonic Studies, Rhizomes and Popular Music and Society.
"About the title" may belong to another edition of this title.