Symbolic Images (Paperback)

E.H. Gombrich

ISBN 10: 0714823813 / ISBN 13: 9780714823812

Published by Phaidon Press, London, 1994

About this Item

Paperback. In this second volume of his classic essays on the Renaissance, E H Gombrich focuses on a theme of central importance: visual symbolism. He opens with a searching introduction ('The Aims and Limits of Iconology'), and follows with detailed studies of Botticelli, Mantegna, Raphael, Poussin and others. The volume concludes with an extended study of the philosophies of symbolism, demonstrating that the ideas which preoccupied the philosophers of the Renaissance are still very much alive today. Like its predecessor, Norm and Form, this volume is indispensable for all students of Renaissance art and thought as a work that has itself helped to shape the evolving discipline of art history. Reflecting the author's abiding concern with standards, values and problems of method, it also has a wider interest as an introduction to the fundamental questions involved in the interpretation of images. These classic studies on the interpretation of images are essential reading for all students of Renaissance art; they also take their rightful place as seminal texts that have themselves helped to shape the evolving discipline of art history. Many of the essays focus on the greatest artists of the Renaissance — notably Botticelli, Leonardo, Raphael and Michelangelo — and all reflect the author's deep and abiding concern with standards, values and problems of method. Yet Gombrich never loses sight of the works of art he is investigating, and he brings to all his analyses and interpretations an original and powerful intelligence, unfailing clarity of expression and immense learning. These four volumes have a permanent value and represent a vitally important humanistic tradition in scholarship and criticism. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Seller Inventory # 9780714823812

Bibliographic Details

• Title: Symbolic Images (Paperback)
• Publisher: Phaidon Press, London
• Publication Date: 1994
• Language: English
• ISBN 10: 0714823813
• ISBN 13: 9780714823812
• Binding: Paperback
• Edition: 3rd Edition
• Condition: new

About this title

Synopsis

In this second volume of his classic essays on the Renaissance, E H Gombrich focuses on a theme of central importance: visual symbolism. He opens with a searching introduction ('The Aims and Limits of Iconology'), and follows with detailed studies of Botticelli, Mantegna, Raphael, Poussin and others. The volume concludes with an extended study of the philosophies of symbolism, demonstrating that the ideas which preoccupied the philosophers of the Renaissance are still very much alive today.

Like its predecessor, Norm and Form, this volume is indispensable for all students of Renaissance art and thought as a work that has itself helped to shape the evolving discipline of art history. Reflecting the author's abiding concern with standards, values and problems of method, it also has a wider interest as an introduction to the fundamental questions involved in the interpretation of images.

About the Author

Sir Ernst Gombrich was one of the greatest and least conventional art historians of his age, achieving fame and distinction in three separate spheres: as a scholar, as a popularizer of art, and as a pioneer of the application of the psychology of perception to the study of art. His best-known book, The Story of Art - first published fifty years ago and now in its sixteenth edition - is one of the most influential books ever written about art. His books further include The Sense of Order (1979) and The Preference for the Primitive (2002), as well as a total of 11 volumes of collected essays and reviews.

Gombrich was born in Vienna in 1909 and died in London in November 2001. He came to London in 1936 to work at the Warburg Institute, where he eventually became Director from 1959 until his retirement in 1976. He won numerous international honours, including a knighthood, the Order of Merit and the Goethe, Hegel and Erasmus prizes.

Gifted with a powerful mind and prodigious memory, he was also an outstanding communicator, with a clear and forceful prose style. His works are models of good art-historical writing, and reflect his humanism and his deep and abiding concern with the standards and values of our cultural heritage.