Catalogo di mostra, Parigi, Centre Pompidou, Galerie Sud, 3 ottobre 2012 - 7 gennaio 2013. A cura di Philippe-Alain Michaud. �Illustrato con fotografie a colori. Testi di P. Michaud, Alfred Pacquement, Emmanuel Alloa, Hou Hanru, Pamela M. Lee, Tom McDonough, Patricia Falguieres. Mostre personali e collettive e bibliografia selezionata dell'Autore . Cm 35x26. pp. 260. . Perfetto (Mint). . Prima edizione (First Edition). . Giunto alla ribalta per la prima volta nel 2000, il lavoro di Adel Abdessemed � stato generalmente inteso come una risposta intuitiva e bruciante alle convulsioni che scuotono il mondo contemporaneo nei suoi aspetti religiosi, politici, economici e morali. Si dice che l'artista si riappropri dei poteri primordiali della violenza e della distruzione creando aeroplani intrecciati, fusoliere arrotolate, auto bruciate modellate in terracotta, linee di filo spinato. Installazioni, performance, disegni, sculture, video, fotografie: Abdessemed utilizza molteplici media per registrare i segni della violenza sparsi nel mondo, per catturare il frastuono della storia e renderlo in immagini. Per quanto questi punti di vista possano essere veri, questo libro e la grande mostra che lo accompagna al Centre Pompidou ne offrono un'approfondita rivalutazione."Je Suis Innocent" dimostra che la storia nelle sue forme caotiche, convulse e conflittuali non � l'oggetto dell'arte di Abdessemed, ma piuttosto la sua materia, che viene accuratamente rielaborata, stilizzata e sublimata nelle immagini del mondo. L'opera di Abdessemed appartiene a una storia dell'arte che supera gli angusti limiti della contemporaneit�. Il mondo di oggi pu� fornire ad Abdessemed le sue materie prime, ma egli le sottopone a spostamenti e trasformazioni oniriche.

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Bibliographic Details

Title

Je Suis Innocent

Publisher

Gottingen - Parigi, Steidl - Centre Pompidou,, Gottingen - Parigi

Publication Date

2012

Language

English

ISBN 10

386930541X

ISBN 13

9783869305417

Binding

hardcover

Edition

Prima edizione (First Edition).

Condition

Perfetto (Mint)

Weight

750 grams

Book Type

Book

Seller catalogs

art: european

About this title

Synopsis

First coming to widespread attention in 2000, the work of Adel Abdessemed has been generally understood as an intuitive and searing response to the convulsions shaking the contemporary world in its religious, political, economic and moral aspects. The artist has been said to re-appropriate the primal powers of violence and destruction by creating braided aeroplanes, a rolled-up fuselage, burnt-out cars moulded in terra cotta, rows of barbed wire Installations, performances, drawings, sculptures, videos, photos Abdessemed employs multiple media to register the signs of violence scattered across the world, to capture the hubbub of history and render it in images. True as these views may be, this book and the accompanying major exhibition at the Centre Pompidou offer a thorough reappraisal of them. I am Innocent shows that history in its chaotic, convulsive and conflicting forms is not the object of Abdessemeds art but rather its material, which is thoroughly reworked, stylised and sublimated to the images of the world. Abdessemeds work belongs to a history of art that exceeds the narrow limits of the contemporary. Todays world may supply Abdessemed with his raw materials, but he subjects them to dream-like displacements and transformations. Born in Algeria in 1971, Adel Abdessemed began his studies at the Ecole des Beaux-Arts in Algiers. After the assassination of its director by Islamists, Abdessemed moved to France and continued to study in Lyon. Today he lives and works in Paris. In 2000 Abdessemed completed a residence at P.S.1 in New York, and his work is represented in prominent international collections including the Centre Pompidou in Paris, the Israel Museum in Jerusalem, Mus�e dart moderne et contemporain in Geneva, Mus�e dArt Moderne de la Ville de Paris, and the Fran�ois Pinault Foundation in Venice.

From the Back Cover

First coming to widespread attention in 2000, the work of Adel Abdessemed has been generally understood as an intuitive and searing response to the convulsions shaking the contemporary world in its religious, political, economic and moral aspects. The artist has been said to re-appropriate the primal powers of violence and destruction by creating braided aeroplanes, a rolled-up fuselage, burnt-out cars moulded in terra cotta, rows of barbed wire. Installations, performances, drawings, sculptures, videos, photos - Abdessemed employs multiple media to register the signs of violence scattered across the world, to capture the hubbub of history and render it in images. True as these views may be, this book and the accompanying major exhibition at the Centre Pompidou offer a thorough reappraisal of them. I am Innocent shows that history in its chaotic, convulsive and conflicting forms is not the object of Abdessemed's art but rather its material, which is thoroughly reworked, stylised and sublimated to the images of the world. Abdessemed's work belongs to a history of art that exceeds the narrow limits of the contemporary. Today's world may supply Abdessemed with his raw materials, but he subjects them to dream-like displacements and transformations.\nBorn in Algeria in 1971, Adel Abdessemed began his studies at the Ecole des Beaux-Arts in Algiers. After the assassination of its director by Islamists, Abdessemed moved to France and continued to study in Lyon. Today he lives and works in Paris. In 2000 Abdessemed completed a residence at P.S.1 in New York, and his work is represented in prominent international collections including the Centre Pompidou in Paris, the Israel Museum in Jerusalem, Mus?e d'art moderne et contemporain in Geneva, Mus?e d'Art Moderne de la Ville de Paris, and the Fran?ois Pinault Foundation in Venice.\n\nExhibition: Centre Pompidou, Paris, 3 October 2012 to 7 January 2013\nCo-published with Centre Pompidou, Paris

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Lo Studio Bibliografico Marini nasce nel 1993 in provincia di Bari. Si occupa principalmente di libri rari e fuori catalogo di letteratura italiana e straniera, arte contemporanea, libri d'artista, opere d'arte originali, grafica d'arte, volumi con incisioni originali, libri illustrati, fotolibri e fotografie originali, con un database di 40.000 titoli. Nel 2017 viene inaugurata una seconda sede a Roma, specializzata in arti visive, che annualmente propone esposizioni d'arte e presentazioni di libri. Sempre nello stesso anno lo Studio acquisisce l'archivio del fotografo napoletano Luciano D'Alessandro.

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