The Stakes of Exposure: Anxious Bodies in Postwar Japanese Art

Kunimoto, Namiko

ISBN 10: 1517900964 / ISBN 13: 9781517900960

Published by Univ Of Minnesota Press (edition 3rd ed.), 2017

About this Item

It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Seller Inventory # 1517900964-11-1

Bibliographic Details

• Title: The Stakes of Exposure: Anxious Bodies in Postwar Japanese Art
• Publisher: Univ Of Minnesota Press (edition 3rd ed.)
• Publication Date: 2017
• Language: English
• ISBN 10: 1517900964
• ISBN 13: 9781517900960
• Binding: Paperback
• Edition: 3rd ed.
• Condition: Good

About this title

Synopsis

How would artistic practice contribute to political change in post–World War II Japan? How could artists negotiate the imbalanced global dynamics of the art world and also maintain a sense of aesthetic and political authenticity? While the contemporary art world has recently come to embrace some of Japan’s most daring postwar artists, the interplay of art and politics remains poorly understood in the Americas and Europe. The Stakes of Exposure fills this gap and explores art, visual culture, and politics in postwar Japan from the 1950s to the 1970s, paying special attention to how anxiety and confusion surrounding Japan’s new democracy manifested in representations of gender and nationhood in modern art. 

Through such pivotal postwar episodes as the Minamata Disaster, the Lucky Dragon Incident, the budding antinuclear movement, and the ANPO protests of the 1960s, The Stakes of Exposure examines a wide range of issues addressed by the period’s prominent artists, including Tanaka Atsuko and Shiraga Kazuo (key members of the Gutai Art Association), Katsura Yuki, and Nakamura Hiroshi. Through a close study of their paintings, illustrations, and assemblage and performance art, Namiko Kunimoto reveals that, despite dissimilar aesthetic approaches and divergent political interests, Japanese postwar artists were invested in the entangled issues of gender and nationhood that were redefining Japan and its role in the world. 

Offering many full-color illustrations of previously unpublished art and photographs, as well as period manga, The Stakes of Exposure shows how contention over Japan’s new democracy was expressed, disavowed, and reimagined through representations of the gendered body.

About the Author

Namiko Kunimoto is assistant professor of art history at The Ohio State University.