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In the early 1980s, Walt Disney Productions was struggling, largely bolstered by the success of its theme parks. Within fifteen years, however, it had become one of the most powerful entertainment conglomerates in the world. Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance argues that far from an executive feat, this impressive turnaround was accomplished in no small part by the storytellers recruited during this period. Drawing from archival research, interviews, and textual analysis, Peter C. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output. By Aladdin, it was clear that animation—not live action—was the center of a veritable “renaissance” at Disney, and the animated musicals driving this revival laid the groundwork for the company’s growth into Broadway theatrical production. The Disney Renaissance not only reinvigorated the Walt Disney Company but both reflects and influenced changes in Broadway and Hollywood more broadly.
About the Author: PETER C. KUNZE is an assistant professor of communication at Tulane University. He is the editor or coeditor of several books, including The Films of Wes Anderson: Critical Essays on an Indiewood Icon, American-Australian Cinema: Transnational Connections, and Taking a Stand: Contemporary US Stand-Up Comedians as Public Intellectuals.
Title: Staging a Comeback : Broadway, Hollywood, ...
Publisher: Rutgers University Press
Publication Date: 2023
Binding: Soft cover
Condition: New
Seller: Whitledge Books, Austin, TX, U.S.A.
Soft cover. Condition: As New. No Jacket. STAGING A COMEBACK: BROADWAY, HOLLYWOOD, AND THE DISNEY RENAISSANCE, Peter C. Kunze, softcover, 2023. BOOK CONDITION: as new. The text block is in fine condition with no tears, marks, or dog ears. There is no bookplate or signature of a previous owner. Not a remainder or library book. The wraps are in near fine condition (slight curling of upper righthand corner). 9 x 6, 223 pages, 14 ounces XX [From the back cover] In the early 1980s, Walt Disney Productions was struggling, largely bolstered by the success of its theme parks. Within fifteen years, however, it was one of the most powerful entertainment conglomerates in the world. Drawing from archival research, interviews, and textual analysis, Peter C. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output. By Aladdin, it was clear that animation - not live-action - was the center of a veritable renaissance at Disney and the animated musicals driving this revival laid the groundwork for the company's growth into Broadway theatrical production. The Disney Renaissance not only reinvigorated the Walt Disney Company, but both reflected and influenced changes in Broadway and Hollywood more broadly. XX "Peter Kunze's STAGING A COMEBACK brings a fresh perspective to the Disney 'renaissance' of the 1980s and 90s. He examines these films' historical connection to the theatricality, anthropomorphic performance, and mediated liveness of classic animation. The book is also noteworthy for the author's innovative research methods, in light of the studio's reluctance to open up to independent scholarship. Kunze shows that if you can't enter the castle over the moat, you can storm it by way of the ramparts (DONALD CRAFTON, AUTHOR OF SHADOW OF A MOUSE: PERFORMANCE, BELIEF, AND WORLD-MAKING IN ANIMATION). XX STAGING A COMEBACK tells a fascinating, complex story of corporate ambition, artistic vision, and theatrical collaboration. Kunze brilliantly reveals how the interdependence of theatre and animation, New York City and theme parks, Hollywood producers and Broadway musical theatre artists enabled Disney's breathtaking success (STACY WOLF, AUTHOR OF BEYOND BROADWAY: THE PLEASURE AND PROMISE OF MUSICAL THEATRE ACROSS AMERICA). XX Peter C. Kunze is an assistant professor of communication at Tulane University. He is editor or coeditor of several books, including The Films of Wes Anderson: Critical Essays on an Indiewood Icon, American-Australian Cinema: Transnational Connections, and Taking a Stand: Contemporary US Stand-Up Comedians as Public Intellectuals. Seller Inventory # 003125
Seller: Books From California, Simi Valley, CA, U.S.A.
paperback. Condition: Fine. Seller Inventory # mon0003302498
Seller: Books From California, Simi Valley, CA, U.S.A.
paperback. Condition: Very Good. Seller Inventory # mon0003303891
Seller: HPB-Diamond, Dallas, TX, U.S.A.
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_470966471
Seller: Rarewaves.com UK, London, United Kingdom
Paperback. Condition: New. In the early 1980s, Walt Disney Productions was struggling, largely bolstered by the success of its theme parks. Within fifteen years, however, it had become one of the most powerful entertainment conglomerates in the world. Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance argues that far from an executive feat, this impressive turnaround was accomplished in no small part by the storytellers recruited during this period. Drawing from archival research, interviews, and textual analysis, Peter C. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output. By Aladdin, it was clear that animation-not live action-was the center of a veritable "renaissance" at Disney, and the animated musicals driving this revival laid the groundwork for the company's growth into Broadway theatrical production. The Disney Renaissance not only reinvigorated the Walt Disney Company but both reflects and influenced changes in Broadway and Hollywood more broadly. Seller Inventory # LU-9781978827813
Quantity: 5 available
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. Seller Inventory # B9781978827813
Quantity: Over 20 available
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # FW-9781978827813
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Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 223 pages. 9.00x5.75x0.75 inches. In Stock. Seller Inventory # __1978827814
Quantity: 2 available
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. In the early 1980s, Walt Disney Productions was struggling, largely bolstered by the success of its theme parks. Within fifteen years, however, it had become one of the most powerful entertainment conglomerates in the world. Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance argues that far from an executive feat, this impressive turnaround was accomplished in no small part by the storytellers recruited during this period. Drawing from archival research, interviews, and textual analysis, Peter C. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output. By Aladdin, it was clear that animation-not live action-was the center of a veritable "renaissance" at Disney, and the animated musicals driving this revival laid the groundwork for the company's growth into Broadway theatrical production. The Disney Renaissance not only reinvigorated the Walt Disney Company but both reflects and influenced changes in Broadway and Hollywood more broadly. Seller Inventory # LU-9781978827813
Quantity: 5 available
Seller: INDOO, Avenel, NJ, U.S.A.
Condition: New. Brand New. Seller Inventory # 9781978827813