Staging the Absolute : Ritual in Russia's Modern Era

Thomas Seifrid

ISBN 10: 1487551800 / ISBN 13: 9781487551803

Published by University Of Toronto Press Okt 2023, 2023

About this Item

Neuware - Staging the Absolute argues that an array of practices and beliefs came together to define an essential aspect of Russian and Soviet culture in the twentieth century: the persistent desire to interrupt - or disrupt - history. Drawing on sources that define the nature of public rituals, the book reveals the pervasive presence of the impulse to impede history in Russia s modern era and the realization of the idea in the form of the Stalinist show trials of the 1930s. Thomas Seifrid analyses Soviet festivals, public displays of agitational propaganda, and urban planning, together with such modernist precursors as fin-de-siècle and early twentieth-century projects for reviving the theatre, modernist adaptations of puppet theatre, the Faust legend and its vogue in early twentieth-century Russia, and the nineteenth-century panorama. The book reveals that what binds these otherwise disparate phenomena together is a shared impatience with history and a corresponding desire to appropriate urban space. Illuminating the deeper meanings in these revived archaic forms, Staging the Absolute shows how pervasive the interest in disrupting history was in the Russian modern era.

Seller Inventory # 9781487551803

Bibliographic Details

• Title: Staging the Absolute : Ritual in Russia's Modern Era
• Publisher: University Of Toronto Press Okt 2023
• Publication Date: 2023
• Language: English
• ISBN 10: 1487551800
• ISBN 13: 9781487551803
• Binding: Buch
• Condition: Neu
• Dimensions: 234W x 157H x 25D millimeters 234 millimeters width by 157 millimeters height by 25 millimeters depth
• Weight: 499 grams

About this title

Synopsis

Staging the Absolute argues that an array of practices and beliefs came together to define an essential aspect of Russian and Soviet culture in the twentieth century: the persistent desire to interrupt – or disrupt – history. Drawing on sources that define the nature of public rituals, the book reveals the pervasive presence of the impulse to impede history in Russia’s modern era and the realization of the idea in the form of the Stalinist show trials of the 1930s.

Thomas Seifrid analyses Soviet festivals, public displays of agitational propaganda, and urban planning, together with such modernist precursors as fin-de-siècle and early twentieth-century projects for reviving the theatre, modernist adaptations of puppet theatre, the Faust legend and its vogue in early twentieth-century Russia, and the nineteenth-century panorama. The book reveals that what binds these otherwise disparate phenomena together is a shared impatience with history and a corresponding desire to appropriate urban space. Illuminating the deeper meanings in these revived archaic forms, Staging the Absolute shows how pervasive the interest in disrupting history was in the Russian modern era.

About the Author

Thomas Seifrid is a professor of Slavic languages and literatures at the University of Southern California.