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A wide-ranging investigation of what speculation is, and what is at stake for artistic, curatorial, critical, and institutional practices in relating to their own speculative character. Engaging with the question of speculation in ways that encompass the artistic, the economic, and the philosophical, with excursions into the literary and the scientific, this collection approaches the theme as a powerful logic of contemporary life whose key instantiations are art and finance. Both are premised on the power of contingency, temporality, and experimentation in the creation (and capitalization) of possible worlds. Artistic autonomy, and the self-legislation of the space of art, have often been seen as the freedom to speculate wildly on material and social possibilities. In this context, the artist is seen as a speculative subject and a paragon of creativity--the diametrical opposite of the bean-counter obsessed with balance sheets and value added. However, once social reality becomes speculative and opaque in its own right--risky, algorithmic, and overhauled by networked markets--what becomes of the distinction between not just art and finance but art and life? This anthology surveys material and social inventiveness from the ground up, speculating with technologies, gender, constructs of the family, and systems of logistics and coordination. An ecology of speculation is traced--one that is as broken, specific, and enthralling as the world. Artists Surveyed include Bertolt Brecht, Jerzy LudwiÅ ski, Cameron Rowland, Salvage Art Institute, Andy Warhol, Mi You, PiraMMMida, Sam Lewitt Writers Include Lisa Adkins, Ramon Amaro, Brenna Bhandar, Octavia Butler, CÃ dric Durand, Georg Wilhelm Friedrich Hegel, Sophie Lewis, Dougal Dixon, Stanislaw Lem, Isabelle Stengers and Phillip Pignarre, Steven Shaviro, Can Xue, Daniel Spaulding 'This volume engages in a wide-ranging investigation of what speculation can mean and how, and what is at stake for artistic, curatorial critical and institutional practices in relating to their own speculative character'-- Book has remainder mark on text edge. Very nice clean, tight copy free of any marks. Seller Inventory # 325640
A wide-ranging investigation of what speculation is, and what is at stake for artistic, curatorial, critical, and institutional practices in relating to their own speculative character.
Engaging with the question of speculation in ways that encompass the artistic, the economic, and the philosophical, with excursions into the literary and the scientific, this collection approaches the theme as a powerful logic of contemporary life whose key instantiations are art and finance. Both are premised on the power of contingency, temporality, and experimentation in the creation (and capitalization) of possible worlds. Artistic autonomy, and the self-legislation of the space of art, have often been seen as the freedom to speculate wildly on material and social possibilities. In this context, the artist is seen as a speculative subject and a paragon of creativity--the diametrical opposite of the bean-counter obsessed with balance sheets and value added. However, once social reality becomes speculative and opaque in its own right--risky, algorithmic, and overhauled by networked markets--what becomes of the distinction between not just art and finance but art and life? This anthology surveys material and social inventiveness from the ground up, speculating with technologies, gender, constructs of the family, and systems of logistics and coordination. An ecology of speculation is traced--one that is as broken, specific, and enthralling as the world. Artists Surveyed include Bertolt Brecht, Jerzy Ludwiński, Cameron Rowland, Salvage Art Institute, Andy Warhol, Mi You, PiraMMMida, Sam Lewitt Writers Include Lisa Adkins, Ramon Amaro, Brenna Bhandar, Octavia Butler, Cédric Durand, Georg Wilhelm Friedrich Hegel, Sophie Lewis, Dougal Dixon, Stanislaw Lem, Isabelle Stengers and Phillip Pignarre, Steven Shaviro, Can Xue, Daniel SpauldingAbout the Author: Marina Vishmidt is a writer, editor, and lecturer at Goldsmiths, University of London, where she convenes the Masters in Culture Industry. She is the author of Speculation as a Mode of Production and, with Kerstin Stakemeier, coauthor of Reproducing Autonomy: Work, Money, Crisis and Contemporary Art.
Title: Speculation
Publisher: MIT Press June 2023
Publication Date: 2023
Binding: Trade Paperback
Condition: Used - Very Good
Seller: Open Books West Loop, Chicago, IL, U.S.A.
Trade Paperback. Condition: As New. Seller Inventory # 1110615
Seller: Bellwetherbooks, McKeesport, PA, U.S.A.
paperback. Condition: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages. Seller Inventory # 465279
Seller: Goodwill Southern California, Los Angeles, CA, U.S.A.
Condition: good. Seller Inventory # LACV.0262545330.G
Seller: Bellwetherbooks, McKeesport, PA, U.S.A.
paperback. Condition: New. Seller Inventory # IN-465279
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 44604712-n
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. A wide-ranging investigation of what speculation is, and what is at stake for artistic, curatorial, critical, and institutional practices in relating to their own speculative character.A wide-ranging investigation of what speculation is, and what is at stake for artistic, curatorial, critical, and institutional practices in relating to their own speculative character.Engaging with the question of speculation in ways that encompass the artistic, the economic, and the philosophical, with excursions into the literary and the scientific, this collection approaches the theme as a powerful logic of contemporary life whose key instantiations are art and finance. Both are premised on the power of contingency, temporality, and experimentation in the creation (and capitalization) of possible worlds. Artistic autonomy, and the self-legislation of the space of art, have often been seen as the freedom to speculate wildly on material and social possibilities. In this context, the artist is seen as a speculative subject and a paragon of creativity-the diametrical opposite of the bean-counter obsessed with balance sheets and value added. However, once social reality becomes speculative and opaque in its own right-risky, algorithmic, and overhauled by networked markets-what becomes of the distinction between not just art and finance but art and life?This anthology surveys material and social inventiveness from the ground up, speculating with technologies, gender, constructs of the family, and systems of logistics and coordination. An ecology of speculation is traced-one that is as broken, specific, and enthralling as the world.Artists Surveyed include Bertolt Brecht, Jerzy Ludwinski, Cameron Rowland, Salvage Art Institute, Andy Warhol, Mi You, PiraMMMida, Sam LewittWriters Include Lisa Adkins, Ramon Amaro, Brenna Bhandar, Octavia Butler, Cedric Durand, Georg Wilhelm Friedrich Hegel, Sophie Lewis, Dougal Dixon, Stanislaw Lem, Isabelle Stengers and Phillip Pignarre, Steven Shaviro, Can Xue, Daniel Spaulding "This volume engages in a wide-ranging investigation of what speculation can mean and how, and what is at stake for artistic, curatorial critical and institutional practices in relating to their own speculative character"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780262545334
Seller: Massive Bookshop, Greenfield, MA, U.S.A.
Paperback. Condition: New. Seller Inventory # 9780262545334
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condition: New. Seller Inventory # LU-9780262545334
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New. Seller Inventory # 26396063048
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 44604712