The Spectacular Body: Science, Method, and Meaning in the Work of Degas
Language: English
Published by Yale University Press, 1995, 1995
- Hardcover
- Used
Seller: Sutton Books, Norwich, VT, U.S.A.Sutton Books
AbeBooks seller since November 14, 1996
Association member: IOBA
Condition: Used - Near fine
£ 23.18
Quantity: 1 available
Add to basketItem description from seller
Hbk, 4to, 244pp, profusely illustr throughout in color and b+w, lacks dj, fine red cloth boards with bright gilt titles to the spine, now in custom acetate jacket, appears unread and an excellent, clean, tight and unmarked copy.
Seller Inventory # Ar2616
- Title
- The Spectacular Body: Science, Method, and Meaning in the Work of Degas
- Author
- CALLEN, Anthea
- Publisher
- Yale University Press, 1995
- Publication year
- 1995
- Condition
- Near Fine
- Dust jacket
- Dust Jacket Included
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0300054432
- ISBN 13
- 9780300054439
Engaging in feminist polemic, Anthea Callen investigates why at this particular time the female figure became such a highly charged icon for masculine projections of fascination with and revulsion over the body. She explains how the gender politics of Degas' culture made it inevitable that he represent masculine desire―and anxieties about masculine identity evoked by such desire―through an apparently detached masculine scrutiny of the female body. Callen shows how Degas' pictorial stance was structurally unresolved, caught between a controlling, distanced, quasi-scientific observation on the one hand, and a disruptive and more unmediated, more psychically loaded engagement with the body on the other. Locating Degas' art within his own historical era, she discusses how socio-scientific ideas of health and disease, hygiene and dirt, prostitution, criminality, sexuality, class, race, and other issues were played out in his work. Using visual analysis as a deconstructive tool, she discusses Degas' choice of medium, composition, spatial organization, pose, color, and light and shade, showing that his technical unorthodoxy combined with scientific discourse in his art to make his work a paradigm of artistic and urban modernity.
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Sutton Books
Norwich, VT, U.S.A.
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