Neuware - The Sound Studies Reader is a groundbreaking anthology blending recent work that self-consciously describes itself as a sound studiesa (TM) along with earlier and lesser known scholarship on sound.The collection begins with an introduction to welcome novice readers to the field and acquaint them the main issues in sound studies, followed by a new essay by the editor providing an intellectual history of sound studies.a Individual section introductions give readers further background on the essays and an extensive up to date bibliography for further reading in a sound studiesa (TM) make this an original and accessible guide to the field.

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Bibliographic Details

Title: Sound Studies Reader
Publisher: ROUTLEDGE Jun 2012
Publication Date: 2012
Language: English
ISBN 10: 0415771307
ISBN 13: 9780415771306
Binding: Buch
Condition: Neu
Dimensions: 253 millimeters width by 185 millimeters height by 40 millimeters depth
Weight: 1171 grams

About this title

Synopsis

The Sound Studies Reader blends recent work that self-consciously describes itself as ‘sound studies’ along with earlier and lesser-known scholarship on sound from across the humanities and social sciences. The Sound Studies Reader touches on key themes like noise and silence; architecture, acoustics and space; media and reproducibility; listening, voices and disability; culture, community, power and difference; and shifts in the form and meaning of sound across cultures, contexts and centuries. Writers reflect on crucial historical moments, difficult definitions, and competing accounts of the role of sound in culture and everyday life. Across the essays, readers will gain a sense of the range and history of key debates and discussions in sound studies.

The collection begins with an introduction to welcome novice readers to the field and acquaint them the main issues in sound studies. Individual section introductions give readers further background on the essays and an extensive up to date bibliography for further reading in sound studies make this an original and accessible guide to the field.

Contributors: Rick Altman, Jacques Attali, Roland Barthes, Jody Berland, Karin Bijsterveld, Barry Blesser, Georgina Born, Michael Bull, Adriana Cavarero, Michel Chion, Kate Crawford, Richard Cullen Rath, Jacques Derrida, Mladen Dolar, John Durham Peters, Kodwo Eshun, Frantz Fanon, Lisa Gitelman, Gerard Goggin, Steve Goodman, Stefan Helmreich, Michelle Hilmes, Charles Hirschkind, Shuhei Hosokawa, Don Ihde, Douglas Kahn, Friedrich Kittler, Brandon LaBelle, James Lastra, Richard Leppert, Mich�le Martin, Louise Meintjes, Mara Mills, John Mowitt, R. Murray Schafer, Ana Mar�a Ochoa Gautier, John Picker, Benjamin Piekut, Trevor Pinch, Tara Rodgers, Linda-Ruth Salter, Jacob Smith, Jason Stanyek, Jonathan Sterne, Emily Thompson, Frank Trocco, Michael Veal, Alexander Weheliye

About the Author

Jonathan Sterne teaches in the Department of Art History and Communication Studies and the History and Philosophy of Science Program at McGill University. He is author of The Audible Past: Cultural Origins of Sound Reproduction (2003), MP3: The Meaning of a Format (2012); and numerous articles on media, technologies and the politics of culture. He also makes sound. Visit his website at http://sterneworks.org.

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