Songs of Contentment and Transgression: Discharged Officials and Literati Communities in Sixteenth-Century North China

Tian Yuan Tan

ISBN 10: 0674056043 / ISBN 13: 9780674056046

Published by Harvard University, Asia Center, 2010

About this Item

A discharged official in mid-Ming China faced significant changes in his life. This book explores three such officials in the sixteenth century - Wang Jiusi, Kang Hai, and Li Kaixian - who turned to literary endeavors when forced to retire. Series: Harvard-Yenching Institute Monograph Series. Num Pages: 314 pages. BIC Classification: 1FPC; 2GDC; 3JB; DSBD; HBTB. Category: (G) General (US: Trade). Dimension: 229 x 152 x 28. Weight in Grams: 567. . 2010. Hardcover. . . . . Books ship from the US and Ireland.

Seller Inventory # V9780674056046

Bibliographic Details

• Title: Songs of Contentment and Transgression: Discharged Officials and Literati Communities in Sixteenth-Century North China
• Publisher: Harvard University, Asia Center
• Publication Date: 2010
• Language: English
• ISBN 10: 0674056043
• ISBN 13: 9780674056046
• Binding: Hardcover
• Condition: New

About this title

Synopsis

A discharged official in mid-Ming China faced significant changes in his life. This book explores three such officials in the sixteenth century―Wang Jiusi, Kang Hai, and Li Kaixian―who turned to literary endeavors when forced to retire. Instead of the formal writing expected of scholar-officials, however, they chose to engage in the stigmatized genre of qu (songs), a collective term for drama and sanqu. As their efforts reveal, a disappointing end to an official career and a physical move away from the center led to their embrace of qu and the pursuit of a marginalized literary genre.

This book also attempts to sketch the largely unknown literary landscape of mid-Ming north China. After their retirements, these three writers became cultural leaders in their native regions. Wang, Kang, and Li are studied here not as solitary writers but as central figures in the “qu communities” that formed around them. Using such communities as the basic unit in the study of qu allows us to see how sanqu and drama were produced, transmitted, and “used” among these writers, things less evident when we focus on the individual.

About the Author

Tian Yuan Tan is Lecturer in Traditional Chinese Literature and Culture at the School of Oriental and African Studies, University of London.