Singing Jeremiah : Music and Meaning in Holy Week
Language: English
Published by Indiana University Press Mai 2014, 2014
Series: Book 2 of 5 - Music and the Early Modern Imagination
- Hardcover
- New
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
AbeBooks seller since August 14, 2006
Condition: New
£ 63.73
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Add to basketItem description from seller
Neuware - A defining moment in Catholic life in early modern Europe, Holy Week brought together the faithful to commemorate the passion, crucifixion, and resurrection of Jesus Christ. In this study of ritual and music, Robert L. Kendrick investigates the impact of the music used during the Paschal Triduum on European cultures during the mid-16th century, when devotional trends surrounding liturgical music were established; through the 17th century, which saw the diffusion of the repertory at the height of the Catholic Reformation; and finally into the early 18th century, when a change in aesthetics led to an eventual decline of its importance. By considering such issues as stylistic traditions, trends in scriptural exegesis, performance space, and customs of meditation and expression, Kendrick enables us to imagine the music in the places where it was performed.
Seller Inventory # 9780253011565
- Title
- Singing Jeremiah : Music and Meaning in Holy Week
- Author
- Robert L. Kendrick
- Publisher
- Indiana University Press Mai 2014
- Publication year
- 2014
- Condition
- Neu
- Binding
- Buch
- Language
- English
- ISBN 10
- 0253011566
- ISBN 13
- 9780253011565
- Item weight
- 670 grams
- Dimensions
- 234x156x21 mm
- Series
- Book 2 of 5: Music and the Early Modern Imagination
A defining moment in Catholic life in early modern Europe, Holy Week brought together the faithful to commemorate the passion, crucifixion, and resurrection of Jesus Christ. In this study of ritual and music, Robert L. Kendrick investigates the impact of the music used during the Paschal Triduum on European cultures during the mid-16th century, when devotional trends surrounding liturgical music were established; through the 17th century, which saw the diffusion of the repertory at the height of the Catholic Reformation; and finally into the early 18th century, when a change in aesthetics led to an eventual decline of its importance. By considering such issues as stylistic traditions, trends in scriptural exegesis, performance space, and customs of meditation and expression, Kendrick enables us to imagine the music in the places where it was performed.
"Synopsis" may belong to another edition of this title.
About the Author
Robert L. Kendrick is Professor of Music at the University of Chicago. He is author of Celestial Sirens: Nuns and Music in Early Modern Milan and The Sounds of Milan, 1585–1650.
"About the title" may belong to another edition of this title.
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