Growing up in Las Cruces, New Mexico, the lean child of working-class Chicago transplants, Judy Grahn hungered to connect with the larger world, to create a place for herself beyond the deprivations and repressions of small town, 1950s life. Refusing the imperative to silence that was her inheritance as a woman and as a lesbian, Grahn found her way to poetry, to activism, and to the intoxicating beauty and power of openly loving other women. In the process, she emerged not only as one of the most inspirational and influential figures of the gay women’s liberation movement, but as a poet whose vision and craft has helped to give voice to long-unexplored dimensions of women’s political and spiritual existence.

In telling her life story, Grahn reflects on the profound cultural shifts brought about by the women’s and gay rights movements of the 1960s and 1970s. The “simple” revolution she recounts involved not just the formation of new institutions (the Women’s Press Collective, Oakland Feminist Women’s Health Center, A Woman’s Place Bookstore), but the creation of whole new ways of living, including collective feminist households that cut through the political and social isolation of women.

Throughout, Grahn describes her involvement with iconic scenes and figures from the history of these years―the Altamont Music Festival, the Black Panthers, the imprisoned Manson women, the Weather Underground, Inez Garcia―sometimes as witness, sometimes as participant, sometimes as instigator. Looking at these events and people within the context of the women’s movement, and through the prism of Judy Grahn’s luminous poetic sensibility, we see them anew.

In A Simple Revolution, Grahn refuses dramatic, psychological narratives that readers have come to expect in memoirs. What emerges is a new, deeply compelling story, grounded in honesty, humility, and compassion―compassion for herself and for the wonderful, if wounded, people who surround her… striking an artful balance between remembering her past, the past of others, and intervening politically in how we think about history. ―Julie Enszer, Lambda Literary

About the Author

Judy Grahn is an internationally known poet, writer, and social theorist. She serves as executive core faculty and co-director of the Women’s Spirituality Program at Sofia University in Palo Alto, CA. She also teaches Creative Inquiry and Creative Writing in the Writing, Consciousness, and Creative Inquiry Program at the California Institute of Integral Studies in San Francisco, where she earned her Ph.D. in Integral Studies with an emphasis in Women’s Spirituality.

Her work has won several awards, including an NEA Grant, American Book Review Award, two American Book Awards, American Library Award, Lifetime Achievement Award (in Lesbian Letters), a Founding Foremothers of Women’s Spirituality Award, and an Independent Publisher Book Award. The Publishing Triangle, an association of lesbians and gay men in publishing, established an award in her name: The Judy Grahn Award, recognizing the best non-fiction book of the year that resonates themes and issues affecting lesbian lives.

Grahn's works include Edward the Dyke and Other Poems (1971), She Who (1972), and A Woman is Talking to Death (1974), love belongs to those who do the feeling (2008), Another Mother Tongue; Gay Words, Gay Worlds (1984); Blood, Bread, and Roses: How Menstruation Created the World (1993), and Hanging On Our Own Bones (2017)

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