Shakespeare, Trauma and Contemporary Performance
Language: English
Published by Routledge, 2011
- Hardcover
- Used
Seller: Michener & Rutledge Booksellers, Inc., Baldwin City, KS, U.S.A.Michener & Rutledge Booksellers, Inc.
AbeBooks seller since August 23, 2007
Condition: Used - Very good
£ 99.19
Quantity: 1 available
Add to basketItem description from seller
Text clean and tight; no dust jacket; Routledge Studies in Shakespeare; 9.06 X 6.30 X 0.71 inches; 186 pages.
Seller Inventory # 215251
- Title
- Shakespeare, Trauma and Contemporary Performance
- Author
- Silverstone, Catherine
- Publisher
- Routledge
- Publication year
- 2011
- Condition
- Very Good+
- Dust jacket
- No Dust Jacket As Issued
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0415956455
- ISBN 13
- 9780415956451
- Series
- Book 7 of 62: Routledge Studies in Shakespeare
Shakespeare, Trauma and Contemporary Performance examines how contemporary performances of Shakespeare’s texts on stage and screen engage with violent events and histories. The book attempts to account for – but not to rationalize – the ongoing and pernicious effects of various forms of violence as they have emerged in selected contemporary performances of Shakespeare’s texts, especially as that violence relates to apartheid, colonization, racism, homophobia and war. Through a series of wide-ranging case studies, which are informed by debates in Shakespeare, trauma and performance studies and developed from extensive archival research, the book examines how performances and their documentary traces work variously to memorialize, remember and witness violent events and histories. In the process, Silverstone considers the ethical and political implications of attempts to represent trauma in performance, especially in relation to performing, spectatorship and community formation. Ranging from the mainstream to the fringe, key performances discussed include Gregory Doran’s Titus Andronicus (1995) for Johannesburg’s Market Theatre; Don C. Selwyn’s New Zealand-made film, The Maori Merchant of Venice (2001); Philip Osment’s appropriation of The Tempest in This Island’s Mine for London’s Gay Sweatshop (1988); and Nicholas Hytner’s Henry V (2003) for the National Theatre in London.
"Synopsis" may belong to another edition of this title.
About the Author
Catherine Silverstone is Senior Lecturer in Drama, Theatre and Performance Studies at Queen Mary, University of London, UK.
"About the title" may belong to another edition of this title.
Michener & Rutledge Booksellers, Inc.
Baldwin City, KS, U.S.A.
AbeBooks seller since August 23, 2007
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Walter Michener
Michener & Rutledge Booksellers, Inc.
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