Sculpter a la Renaissance. Un art pour (é)mouvoir. Scolpire nel Rinascimento, un'arte per (com)muovere
Language: Italian
Published by Officina Libraria, 2024
- Softcover
- New
Seller: Art&Libri Firenze, FIRENZE, FI, ItalyArt&Libri Firenze
AbeBooks seller since March 22, 2012
Condition: New
£ 20.97
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Roma, 2024, Officina Libraria. Cm. 24x17, pp. 168, ill. a colori n.t., br. Nella mostra e nel catalogo "Il Corpo e l'anima" si era cercato di sintetizzare la complessa storia della scultura in Italia a cavallo del Cinquecento, raccontata attraverso l'alternanza proposta da Aby Warburg tra l'ethos «apollineo» e il pathos «dionisiaco». Le giornate di studio che l'hanno accompagnata, tenutesi a Parigi e a Milano, hanno offerto l'opportunità a numerosi storici dell'arte e studiosi di approfondire alcuni argomenti e hanno dato vita a questo libro. Philippe Toussaint, prendendo spunto dalle interpretazioni warburghiane sull'antica figura del centauro, analizza il rito funebre nel rilievo della tomba di Francesco Sassetti in Santa Trinita a Firenze, evidenziandone il sincretismo tra mondo pagano e cristiano che ha dato origine a una «immortalità scolpita». Ulrich Pfisterer esplora la scultura come veicolo di piacere, sensualità ed emozione negli studioli, i luoghi in cui gli umanisti e i letterati si dedicavano allo studio, mentre Philippe Morel mostra come la figura della menade, in preda all'antica trance dionisiaca, sintetizzi dolore ed erotismo nell'opera di Agostino di Duccio e Bertoldo di Giovanni. Patricia Lee Rubin si concentra sulla scultura come espressione della malinconia associata alla morte a Roma, sia negli Schiavi per la tomba di Giulio II di Michelangelo sia nella tomba Tornabuoni di Andrea del Verrocchio. La rappresentazione del pathos e il tema dell'obbedienza a Dio e dell'atteggiamento nei confronti della morte sono i temi al centro dello studio di Gabriela Mazzon sul sacrificio di Isacco. Ludmila Acone, dal canto suo, mostra la natura virtuosa della danza nell'Italia del Quattrocento, dove l'immaginazione del movimento coreutico permetteva di dar forma a un mondo ideale. Nel suo studio sul teatro sacro nella Firenze del Quattrocento, Paola Ventrone dimostra come le innovazioni spaziali di Brunelleschi abbiano reso possibile una nuova efficacia espressiva del messaggio visivo per gli spettatori/credenti. Infine, Anne Lepoittevin mette in luce i legami tra il teatro sacro e i gruppi scultorei del Sacro Monte di Varallo.…
Seller Inventory # 006263
- Title
- Sculpter a la Renaissance. Un art pour (é)mouvoir. Scolpire nel Rinascimento, un'arte per (com)muovere
- Author
- Bormand, Marc; Strozzi, Beatrice Paolozzi; Preti, Monica
- Publisher
- Officina Libraria
- Publication year
- 2024
- Condition
- nuovo
- Binding
- Brossura
- Language
- Italian
- ISBN 10
- 8833672727
- ISBN 13
- 9788833672724
- Dimensions
- 24x17
- Studies accompanying a highly successful exhibition at the Louvre in Paris and the Castello Sforzesco in Milan
- Essays by eminent specialists in Renaissance sculpture
- An international and interdisciplinary perspective that brings different art forms into dialogue, and new readings of a subject that has been very much in vogue in recent years
- Text in English, French and Italian
This volume collects the papers presented at the international study conference Sculpting in the Renaissance: an art to (com)move / Sculpter à la Renaissance. Un art pour (é)mouvoir organised by the Musée du Louvre in Paris and the Castello Sforzesco in Milan to accompany the exhibition Le corps et l'âme. De Donatello à Michel-Ange. Scultures italiennes de la Renaissance (Officina Libraria, 2020), held between 2020 and 2021. With the involvement of some of the most important specialists in Renaissance sculpture, the aim was to investigate the interactions, influences and exchanges between the plastic arts and other Renaissance art forms capable of revealing feelings through expressions of the body, through the works of Agostino di Duccio, Donatello, Michelangelo and other local sculptors. The aim is also to place within their social, devotional and intellectual context the different manifestations of feeling of which sculpture is one of the privileged media. Sacred art themes in particular were addressed, in an attempt to explain their formal evolution in relation to the socio-cultural transformations of the time, but also to local traditions and their dramatisation.
Text in English, French and Italian.
"Synopsis" may belong to another edition of this title.
About the Author
Marc Bormand is the conservator of the Louvre sculpture department, responsible for the Italian sculpture of Moyen Âge and the Renaissance. Co-commissaire, among others, of the exhibition Desiderio da Settignano - La découverte de la grace dans la sculpture de la Renaissance (Paris, Louvre, 2006-2007; Florence, Bargello, 2007; Washington, National Gallery of Art, 2007). In 2013, the exhibition TLa primavera del Rinascimento. La scultura e le arti a Firenze 1400-1460 was organised with Beatrice Paolozzi Strozzi at the Bargello National Museum in Florence and, between 2013 and 2014, at the Louvre in Paris.
Beatrice Paolozzi Strozzi descendant of the historical Florentine Strozzi family, was the director of the national museum of Bargello in Florence in 2014. She is an ordinary academic of the art of design. These scientific publications are well-known, both in the domain of the Renaissance and in the art of the 20th century. She currently collaborates with the Louvre Museum.
Monica Preti is currently the scientific director of Pistoia Museums. Historian of modern art, she worked on the history of the collection and on the relationship between art and literature in the Renaissance era.
Francesca Tasso is currently director of the civic museums of Castello Sforzesco in Milan. She studied in particular Late Gothic and Renaissance art and the formation of the collections of the Milan museums. The most recent publications include: Vetri contemporanei al Castello Sforzesco. La collezione Bellini-Pezzoli (with Claudio Salsi, Marsilio, 2017), Leonardo Da Vinci. La sala delle Asse del Castello Sforzesco (with Michela Palazzo, Silvana, 2017).
"About the title" may belong to another edition of this title.
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Siamo una libreria internazionale attiva dal 1996 nel settore dei libri d'arte, sia nuovi che antichi. Seguiamo con grande attenzione le novità editoriali pubblicate in Italia, Francia, Germania e nei Paesi anglosassoni. Il nostro team, altamente specializzato, si occupa inoltre della ricerca di libri esauriti o difficili da trovare. We are an international bookstore that has been active since 1996, specializing in art books, both new and antiquarian. We keep a close eye on the latest releases published in Italy, France, Germany, and across the English-speaking world. Our highly specialized team also helps track down out-of-print and hard-to-find books.…
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