Scratches to cover & small scuffs to corners. Small bumps to edges of cover. Dark marks to textblock edges. Some scuffs/small marks to page corners. Text in very good condition.

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Bibliographic Details

Title

Screening Transcendence: Film under Austrofascism and the Hollywood Hope, 1933-1938 [Hardcover] Dassanowsky, Robert

Publisher

Indiana University Press

Publication Date

2018

Language

English

ISBN 10

0253033624

ISBN 13

9780253033628

Binding

Hardcover

Condition

Good

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About this title

Synopsis

During the 1930s, Austrian film production companies developed a process to navigate the competing demands of audiences in Nazi Germany and those found in broader Western markets. In Screening Transcendence, film historian Robert Dassanowsky explores how Austrian filmmakers during the Austrofascist period (1933–1938) developed two overlapping industries: "Aryanized" films for distribution in Germany, its largest market, and "Emigrantenfilm," which employed �migr� and Jewish talent that appealed to international audiences.

Through detailed archival research in both Vienna and the United States, Dassanowsky reveals what was culturally, socially, and politically at stake in these two simultaneous and overlapping film industries. Influenced by French auteurism, admired by Italian cinephiles, and ardently remade by Hollywood, these period Austrian films demonstrate a distinctive regional style mixed with transnational influences.

Combining brilliant close readings of individual films with thoroughly informed historical and cultural observations, Dassanowsky presents the story of a nation and an industry mired in politics, power, and intrigue on the brink of Nazi occupation.

About the Author

Robert Dassanowsky is Professor of German/Austrian Studies and Film at the University of Colorado, Colorado Springs. He is author of Austrian Cinema: A History, and editor of World Film Locations: Vienna, and Quentin Tarantino's Inglourious Basterds: A Manipulation of Metafilm. He is also an independent film producer.

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