STRAVINSKY AND THE RUSSIAN TRADITIONS : A BIOGRAPHY OF THE WORKS THROUGH MAVRA [Two volumes]
Language: English
Published by University of California Press, Berkeley, 1996
- Hardcover
- Used
Seller: Second Story Books, ABAA, Rockville, MD, U.S.A.Second Story Books, ABAA
AbeBooks seller since May 29, 1997
Condition: Used
£ 86.95
Quantity: 1 available
Add to basketItem description from seller
Octavo, Two volumes continuously paged: xxiii, 1757 pages. In Very Good minus condition with Very Good dust jackets. Spine black with white print. Boards in black cloth; mild buckling to spine of first volume. Illustrated: color frontispiece in each volume, b&w photographs, printed music. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, ND-HV Section. 1411374. FP New Rockville Stock.
Seller Inventory # 1411374
- Title
- STRAVINSKY AND THE RUSSIAN TRADITIONS : A BIOGRAPHY OF THE WORKS THROUGH MAVRA [Two volumes]
- Author
- Taruskin, Richard [author] ; Stravinsky, Igor, 1882-1971 [subject]
- Publisher
- University of California Press, Berkeley
- Publication year
- 1996
- Dust jacket
- dj
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0520070992
- ISBN 13
- 9780520070998
- Seller catalogs
- Biography & Autobiography, European History, Performing Arts
During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music.
Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturityPetrushka, The Rite of Spring, andLes Noces. Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"the professional appropriation of motifs and style characteristics from folk artand how Stravinsky realized this ideal in his music.
Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed.
Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.
"Synopsis" may belong to another edition of this title.
About the Author
"About the title" may belong to another edition of this title.
Second Story Books, ABAA
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