Title: SOS - Calling All Black People: A Black Arts...
Publisher: Univ. of Massachusetts Press
Binding: Soft cover
Book Condition: New
Brings together a broad range of key writings from the Black Arts Movement of the 1960s and 1970s, among the most significant cultural movements in American history and covers topics ranging from the legacy of Malcolm X and the impact of John Coltrane's jazz to the tenets of the Black Panther Party and the music of Motown. Editor(s): Bracey, Jr. John H.; Sanchez, Sonia; Smethurst, James. Num Pages: 688 pages. BIC Classification: 1KBB; 2AB; DQ; DSBH; JFSL3. Category: (G) General (US: Trade). Dimension: 254 x 183 x 46. Weight in Grams: 1400. . 2014. Paperback. . . . . Books ship from the US and Ireland. Bookseller Inventory # V9781625340313
Synopsis: This volume brings together a broad range of key writings from the Black Arts Movement of the 1960s and 1970s, among the most significant cultural movements in American history. The aesthetic counterpart of the Black Power movement, it burst onto the scene in the form of artists' circles, writers' workshops, drama groups, dance troupes, new publishing ventures, bookstores, and cultural centers and had a presence in practically every community and college campus with an appreciable African American population. Black Arts activists extended its reach even further through magazines such as Ebony and Jet , on television shows such as Soul! and Like It Is , and on radio programs. Many of the movement's leading artists, including Ed Bullins, Nikki Giovanni, Woodie King, Haki Madhubuti, Sonia Sanchez, Askia Toure, and Val Gray Ward remain artistically productive today. Its influence can also be seen in the work of later artists, from the writers Toni Morrison, John Edgar Wideman, and August Wilson to actors Avery Brooks, Danny Glover, and Samuel L. Jackson, to hip hop artists Mos Def, Talib Kweli, and Chuck D. SOS--Calling All Black People includes works of fiction, poetry, and drama in addition to critical writings on issues of politics, aesthetics, and gender. It covers topics ranging from the legacy of Malcolm X and the impact of John Coltrane's jazz to the tenets of the Black Panther Party and the music of Motown. The editors have provided a substantial introduction outlining the nature, history, and legacy of the Black Arts Movement as well as the principles by which the anthology was assembled.
Review: This book has the potential to be an amazing teaching and research tool and should appeal to a wide audience of scholars and academics across a variety of fields from sociology and literary studies, to Africana studies and history. The introduction alone provides an invaluable account of the cultural output, impact, and legacy of the Black Arts Movement for scholars and students.--Amy Abugo Ongiri, author of Spectacular Blackness: The Cultural Politics of the Black Power Movement and the Search for a Black Aesthetic
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