Roy Lichtenstein Conversations With Surrealism
LICHTENSTEIN, Roy
Sold by The Cary Collection, Bristol, CT, U.S.A.
AbeBooks Seller since 7 January 2008
Used - Hardcover
Condition: Used - Fine
Ships within U.S.A.
Quantity: 1 available
Add to basketSold by The Cary Collection, Bristol, CT, U.S.A.
AbeBooks Seller since 7 January 2008
Condition: Used - Fine
Quantity: 1 available
Add to basketLICHTENSTEIN, Roy w/ 41 lots Mitchell-Innes & Nash 2005 11 1/4" x 10 1/4" Paintings Chelsea: October 7 November 12, 2005 Drawings Uptown: September 19 November 12, 2005 New York, June 20, 2005 Mitchell-Innes & Nash is pleased to present Lichtenstein: Surrealism, an exhibition in two parts featuring 10 major Lichtenstein paintings and 30 works on paper dating from 1976 to 1979. The exhibition of paintings will inaugurate the new Mitchell-Innes & Nash space in Chelsea, located at 534 West 26th Street. The centerpiece of the exhibition will be Cosmology, a nine-foot-long painting from 1978 that showcases many of the themes of Lichtenstein s rich Surrealist period. The works on paper, including many drawings on public view for the first time, will be exhibited at Mitchell-Innes & Nash uptown, located at 1018 Madison Avenue at 78th Street. Together, the exhibitions will reveal Lichtenstein s passionate engagement with art history and his unique ability to make it his own. Mitchell-Innes & Nash is the exclusive representative of the Estate of Roy Lichtenstein. Lichtenstein s interest in art historical motifs resulted in many works that reference Cubism, Futurism, Abstract Expressionism and Surrealism. During the mid-to-late 1970s, he frequently drew upon Surrealist imagery, with a particular focus on the paintings of Dali, Magritte, and Picasso. The works from this series endow archetypal Surrealist tropes such as dreamlike landscapes with Lichtenstein s distinctive style, weaving Lichtenstein himself into an art historical narrative. The paintings and drawings on view will provide a glimpse into the development of some of Lichtenstein s best-known motifs, including the single eye with a teardrop and the self portraits in which various objects represent the artist s head and face. Lichtenstein: Surrealism has been organized with the cooperation and support of Dorothy Lichtenstein and the Roy Lichtenstein Foundation. In conjunction with the exhibition, the gallery will publish a fully illustrated catalogue with an essay by critic and scholar Charles F. Stuckey and a work of short fiction by Frederic Tuten, author of the celebrated novel The Green Hour.
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