Paperback. The Routledge Companion to Expressionism in a Transnational Context is a challenging exploration of the transnational formation, dissemination, and transformation of expressionism outside of the German-speaking world, in regions such as Central and Eastern Europe, the Baltics and Scandinavia, Western and Southern Europe, North and Latin America, and South Africa, in the first half of the twentieth century.Comprising a series of essays by an international group of scholars in the fields of art history and literary and cultural studies, the volume addresses the intellectual discussions and artistic developments arising in the context of the expressionist movement in the various art centers and cultural regions. The authors also examine the implications of expressionism in artistic practice and its influence on modern and contemporary cultural production.Essential for an in-depth understanding and discussion of expressionism, this volume opens up new perspectives on developments in the visual arts of this period and challenges the traditional narratives that have predominantly focused on artistic styles and national movements. This book focuses on the transnational formation, dissemination, and transformation of Expressionism outside of the German-speaking world, in regions such as Central and Eastern Europe, the Baltics and Scandinavia, Western and Southern Europe, North and Latin America, South Africa, and Japan, in the first half of the twentieth century. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Bibliographic Details

Title: The Routledge Companion to Expressionism in a Transnational Context (Paperback)
Publisher: Taylor & Francis Ltd, London
Publication Date: 2023
Language: English
ISBN 10: 0367619733
ISBN 13: 9780367619732
Binding: Paperback
Condition: new

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Synopsis

The Routledge Companion to Expressionism in a Transnational Context is a challenging exploration of the transnational formation, dissemination, and transformation of expressionism outside of the German-speaking world, in regions such as Central and Eastern Europe, the Baltics and Scandinavia, Western and Southern Europe, North and Latin America, and South Africa, in the first half of the twentieth century.

Comprising a series of essays by an international group of scholars in the fields of art history and literary and cultural studies, the volume addresses the intellectual discussions and artistic developments arising in the context of the expressionist movement in the various art centers and cultural regions. The authors also examine the implications of expressionism in artistic practice and its influence on modern and contemporary cultural production.

Essential for an in-depth understanding and discussion of expressionism, this volume opens up new perspectives on developments in the visual arts of this period and challenges the traditional narratives that have predominantly focused on artistic styles and national movements.

About the Author

Isabel W�nsche is a professor of art and art history at Jacobs University Bremen. She specializes in European modernism, the avant-garde movements, and abstract art. Her book publications include Galka E. Scheyer & The Blue Four: Correspondence, 1924–1945 (Benteli, 2006), Biocentrism and Modernism (with Oliver A. I. Botar, Ashgate, 2011), Meanings of Abstract Art: Between Nature and Theory (with Paul Crowther, Routledge, 2012), The Organic School of the Russian Avant-Garde (Ashgate, 2015), Marianne Werefkin and the Women Artists in Her Circle (with Tanja Malycheva, Brill/Rodopi, 2016), and Practices of Abstract Art: Between Anarchism and Appropriation (with Wiebke Gronemeyer, Cambridge Scholars Publishing, 2016).

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