Roots in Reverse: Senegalese Afro-Cuban Music and Tropical Cosmopolitanism
Language: English
Published by Wesleyan University Press, 2018
Series: Book 39 of 49 - Music/Culture
- Softcover
- New
Seller: Bill & Ben Books, Faringdon, United KingdomBill & Ben Books
AbeBooks seller since March 3, 2025
Condition: New
£ 4.99
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Add to basketItem description from seller
Roots in Reverse explores how Latin music contributed to the formation of the negritude movement in the 1930s. Taking Senegal and Cuba as its primary research areas, this work uses oral histories, participant observation, and archival research to examine the ways Afro-Cuban music has influenced Senegalese debates about cultural and political citizenship and modernity. Shain argues that the trajectory of Afro-Cuban music in twentieth century Senegal illuminates many dimensions of that nation's cultural history such as gender relations, generational competition and conflict, debates over cosmopolitanism and hybridity, the role of nostalgia in Senegalese national culture and diasporic identities. More than just a new form of musical enjoyment, Afro-Cuban music provided listeners with a tool for creating a public sphere free from European and North American cultural hegemony.
Seller Inventory # 0087690
- Title
- Roots in Reverse: Senegalese Afro-Cuban Music and Tropical Cosmopolitanism
- Author
- Richard M. Shain
- Publisher
- Wesleyan University Press
- Publication year
- 2018
- Condition
- New
- Binding
- Paperback
- Language
- English
- ISBN 10
- 081957709X
- ISBN 13
- 9780819577092
- Series
- Book 39 of 49: Music/Culture
A study of the impact of Cuban music on Senegalese music and modernity
Roots in Reverse explores how Latin music contributed to the formation of the négritude movement in the 1930s. Taking Senegal and Cuba as its primary research areas, this work uses oral histories, participant observation, and archival research to examine the ways Afro-Cuban music has influenced Senegalese debates about cultural and political citizenship and modernity. Shain argues that the trajectory of Afro-Cuban music in twentieth century Senegal illuminates many dimensions of that nation's cultural history such as gender relations, generational competition and conflict, debates over cosmopolitanism and hybridity, the role of nostalgia in Senegalese national culture and diasporic identities. More than just a new form of musical enjoyment, Afro-Cuban music provided listeners with a tool for creating a public sphere free from European and North American cultural hegemony.
"Synopsis" may belong to another edition of this title.
About the Author
RICHARD M. SHAIN teaches African, Caribbean and Latin American Studies at Thomas Jefferson University. He also taught at the university level in Nigeria and Senegal for nearly ten years.
"About the title" may belong to another edition of this title.
Bill & Ben Books
Faringdon, United Kingdom
AbeBooks seller since March 3, 2025
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