Roodscreens and Roodlofts, Vol. 1 of 2 (Classic Reprint)
Language: English
Published by Forgotten Books, 2024
- Softcover
- New
Seller: Forgotten Books, London, United KingdomForgotten Books
AbeBooks seller since June 2, 2021
Condition: New
£ 17.42
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Print on Demand. This book offers a fascinating journey into the history of chancel screens, those architectural elements that divide the sanctuary of a church from the nave. The author examines the development of screenwork from its origins in the Jewish Tabernacle, through the early Christian churches, and into the rich and complex forms of medieval architecture. The book explores the evolution of the screen, from simple veils to elaborate stone and wood structures, tracing how changing liturgical practices and the architectural styles of different eras influenced design and function. The book also delves into the symbolism of screenwork, showing how these barriers represented both physical and spiritual divisions within the church. The author examines the use of the roodloft, a gallery often built above the screen, and explores the changing role of screenwork in the post-Reformation period. This book offers a detailed and insightful analysis of the history and significance of chancel screens, providing a valuable resource for anyone interested in medieval architecture, church history, and the symbolism of religious structures. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book.…
Seller Inventory # 9781332191758_0
- Title
- Roodscreens and Roodlofts, Vol. 1 of 2 (Classic Reprint)
- Author
- Frederick Bligh Bond, Dom Bede Camm
- Publisher
- Forgotten Books
- Publication year
- 2024
- Condition
- New
- Book Type
- print-on-demand item
- Binding
- Paperback
- Language
- English
- ISBN 10
- 1332191754
- ISBN 13
- 9781332191758
- Seller catalogs
- Architecture
These two volumes embody the result of some seven years' research and collection.
For the first Part of the work, which is a historical essay on screenwork, from the earliest times down to the post-reformation period, Mr. Frederick Bligh Bond is responsible, and would wish it to be understood that his views of the origin of screenwork are not in all cases those held by his colleague, Dom Bede Camm.
The essay in question is the fruit of several years' work, and incorporates in a complete and coherent form the substance of papers contributed to the Proceedings of the Saint Paul's Ecclesiological Society in 1903, and to the Journal of the in October, 1904, and October, 1905.
In these essays the historical, or evolutionary, method of dealing with the subject was adopted, and the story of the use of screenwork in the English church throughout the Reformation and the post-reformation periods was first handled in this manner, Much new matter has been added in the present work, and the whole argument rendered clearer, and consolidated.
Mr. Bligh Bond desires to remove a certain confusion which has arisen between the personality of himself and that of his friend and namesake, Mr. Francis Bond, who, by a curious coincidence was led to publish his work on Screens and Galleries whilst the present work was in the press. The two schemes are, of course, totally distinct, but present a curious parallel in their main features, which is heightened by the choice made of illustrations.
Yet, except for the fact that Mr. Francis Bond has drawn material from the published essays above-mentioned (for which he has made very kind acknowledgment) the matter is one of pure coincidence.
The theories as to the origin of the screens respectively held by the two exponents are, it need hardly be said, quite independent, and differ widely one from the other.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
"Synopsis" may belong to another edition of this title.
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Forgotten Books’ Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the quality of the aged text.
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Forgotten Books publishes hundreds of thousands of rare and classic books.
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This text has been digitally restored from a historical edition. Some errors may persist, however we consider it worth publishing due to the work's historical value.
The digital edition of all books may be viewed before purchase if you request a sample.
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