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This fully illustrated book accompanies the first comprehensive retrospective of Robert Smithson's (1938-1971) complex and highly influential body of work. Perhaps best known as the creator of 'Spiral Jetty,' a fifteen-hundred foot rock coil dramatically situated in Utah's Great Salt Lake, Smithson also broke new ground with his films, photographs, writings, drawings, sculptures, and collages. His oeuvre defied convention, utilizing nontraditional art materials such as mirrors, maps, concrete, earth and asphalt - in addition to language. @Whitney Museum of American Art, New York, 6.23-10.16.2005. Includes an interview with the author. Extensive addenda. Illus., color/b&w. 280p. Seller Inventory # 2471862
This fully illustrated 248-page book accompanies the first comprehensive American retrospective of Robert Smithson's (1938-1973) complex and highly influential career. Straddling the movements of minimalism and land art, Smithson, who died in a plane crash at the age of 35, had a profound impact on the cultural landscape that resonates to this day. Robert Smithson presents essays by top Smithson scholars alongside both archival imagery and specially commissioned photography of the artist's works; it considers the interrelationship of Smithson's complete artistic output, from the earliest figurative work up to his famed earthworks. Smithson's revolutionary ideas positioned art as existing beyond the walls of the museum in media such as writing and film, and even in the landscape itself. This volume and the exhibition it accompanies explore Smithson's work within the context of the artistic climate of the late 1960s as well as ensuing decades. Perhaps most renowned as the creator of Spiral Jetty (1970), a fifteen-hundred-foot rock coil dramatically situated in the Great Salt Lake, Smithson also broke new ground with his films, photographs, writing, drawings, and collages. Eugenie Tsai provides a curatorial overview of the exhibition, which includes early writings, drawings, and other work with religious, erotic, and pop culture motifs that deepen our understanding of Smithson's diverse practice. Other contributions to the volume are a previously unpublished interview with Smithson by Moira Roth; a substantive historical and critical essay by Thomas Crow; an essay by MOCA curator Cornelia Butler discussing Smithson's lineage and his influence on contemporary artists; and a series of texts focusing on key works from Smithson's oeuvre, including Incidents of Mirror Travel in the Yucatan by Suzaan Boettger, Enantiomorphic Chambers by Ann Reynolds, Airport Terminal Project by Mark Linder, Spiral Jetty by Jennifer Roberts, Heap of Language by Richard Sieburth, Proposal for Monument at Antartica [sic] by Robert Sobieszek. The book also features the complete Library List--a posthumously compiled list of publications in Smithson's personal library--with an introduction by Alexander Alberro, as well as an exhibition checklist and annotated exhibition chronology. With contributions by Alexander Alberro, Suzaan Boettger, Cornelia Butler, Thomas Crow, Mark Linder, Ann Reynolds, Jennifer L. Roberts, Moira Roth, Richard Sieburth, Robert A. Sobieszek, and Eugenie Tsai
About the Author: Eugenie Tsai is a critic and independent curator. Formerly Senior Curator and Associate Director for Curatorial Affairs at the Whitney Museum of American Art, she organized exhibitions and artists' projects for the museum and its branches and oversaw the permanent collection. She is the author of Robert Smithson Unearthed (1991).
Title: Robert Smithson
Publisher: University of California Press
Publication Date: 2004
Binding: Oversized Paperback
Condition: Good
Seller: Goodwill Southern California, Los Angeles, CA, U.S.A.
Condition: good. Paperback Book. Seller Inventory # 4CJS370032MB
Seller: Michael Patrick McCarty, Bookseller, New Castle, CO, U.S.A.
Trade paperback. Condition: Very Good. Annotated. The Book is in Very Good+ condition. This fully illustrated 248-page book accompanies the first comprehensive American retrospective of Robert Smithson's (1938-1973) complex and highly influential career. Straddling the movements of minimalism and land art, Smithson, who died in a plane crash at the age of 35, had a profound impact on the cultural landscape that resonates to this day. Robert Smithson presents essays by top Smithson scholars alongside both archival imagery and specially commissioned photography of the artist's works; it considers the interrelationship of Smithson's complete artistic output, from the earliest figurative work up to his famed earthworks. Smithson's revolutionary ideas positioned art as existing beyond the walls of the museum in media such as writing and film, and even in the landscape itself. This volume and the exhibition it accompanies explore Smithson's work within the context of the artistic climate of the late 1960s as well as ensuing decades.Perhaps most renowned as the creator of Spiral Jetty (1970), a fifteen-hundred-foot rock coil dramatically situated in the Great Salt Lake, Smithson also broke new ground with his films, photographs, writing, drawings, and collages. Eugenie Tsai provides a curatorial overview of the exhibition, which includes early writings, drawings, and other work with religious, erotic, and pop culture motifs that deepen our understanding of Smithson's diverse practice. Other contributions to the volume are a previously unpublished interview with Smithson by Moira Roth; a substantive historical and critical essay by Thomas Crow; an essay by MOCA curator Cornelia Butler discussing Smithson's lineage and his influence on contemporary artists; and a series of texts focusing on key works from Smithson's oeuvre, including Incidents of Mirror Travel in the Yucatan by Suzaan Boettger, Enantiomorphic Chambers by Ann Reynolds, Airport Terminal Project by Mark Linder, Spiral Jetty by Jennifer Roberts, Heap of Language by Richard Sieburth, Proposal for Monument at Antartica [sic] by Robert Sobieszek. The book also features the complete Library List--a posthumously compiled list of publications in Smithson's personal library--with an introduction by Alexander Alberro, as well as an exhibition checklist and annotated exhibition chronology.With contributions by Alexander Alberro, Suzaan Boettger, Cornelia Butler, Thomas Crow, Mark Linder, Ann Reynolds, Jennifer L. Roberts, Moira Roth, Richard Sieburth, Robert A. Sobieszek, and Eugenie Tsai. Seller Inventory # SKU2010027961
Seller: Better World Books Ltd, Dunfermline, United Kingdom
Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # GRP91833445
Quantity: 1 available
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0520244095I3N00
Seller: Big River Books, Powder Springs, GA, U.S.A.
Condition: very_good. This book is in Very Good condition. The cover and pages have minor shelf wear. Binding is tight and pages are intact. Seller Inventory # BRV.0520244095.VG
Seller: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Paperback. Condition: Fine. 1st. 280 pages, illustrations (some colour); 29 cm. Catalogue of an exhibition held at the Museum of Contemporary Art, Los Angeles, September 12 to December 13, 2004; the Dallas Museum of Art, January 14 to April 3, 2005; and the Whitney Museum of American Art, June 23 to October 16, 2005. Firm binding, clean inside copy. *** "This fully illustrated 248-page book accompanies the first comprehensive American retrospective of Robert Smithson's (1938-1973) complex and highly influential career. Straddling the movements of minimalism and land art, Smithson, who died in a plane crash at the age of 35, had a profound impact on the cultural landscape that resonates to this day. Robert Smithson presents essays by top Smithson scholars alongside both archival imagery and specially commissioned photography of the artist's works it considers the interrelationship of Smithson's complete artistic output, from the earliest figurative work up to his famed earthworks. Smithson's revolutionary ideas positioned art as existing beyond the walls of the museum in media such as writing and film, and even in the landscape itself. This volume and the exhibition it accompanies explore Smithson's work within the context of the artistic climate of the late 1960s as well as ensuing decades. Perhaps most renowned as the creator of Spiral Jetty (1970), a fifteen-hundred-foot rock coil dramatically situated in the Great Salt Lake, Smithson also broke new ground with his films, photographs, writing, drawings, and collages. Eugenie Tsai provides a curatorial overview of the exhibition, which includes early writings, drawings, and other work with religious, erotic, and pop culture motifs that deepen our understanding of Smithson's diverse practice. Other contributions to the volume are a previously unpublished interview with Smithson by Moira Roth a substantive historical and critical essay by Thomas Crow an essay by MOCA curator Cornelia Butler discussing Smithson's lineage and his influence on contemporary artists and a series of texts focusing on key works from Smithson's oeuvre, including Incidents of Mirror Travel in the Yucatan by Suzaan Boettger, Enantiomorphic Chambers by Ann Reynolds, Airport Terminal Project by Mark Linder, Spiral Jetty by Jennifer Roberts, Heap of Language by Richard Sieburth, Proposal for Monument at Antartica [sic] by Robert Sobieszek. The book also features the complete Library List--a posthumously compiled list of publications in Smithson's personal library--with an introduction by Alexander Alberro, as well as an exhibition checklist and annotated exhibition chronology." - Publisher. *** CONTENTS: Robert Smithson: plotting a line from Passaic, New Jersey, to Amarillo, Texas, by Eugenie Tsai; Cosmic exile: prophetic turns in the life and art of Robert Smithson, by Thomas Crow; An interview with Robert Smithson (1973), by Moira Roth ; edited by Naomi Sawelson-Gorse; The taste of time: salt and the Spiral Jetty, by Jennifer L. Roberts; Enantiomorphic models, by Ann Reynolds; Robert Smithson's proposal for a monument at Antarctica, by Robert A. Sobieszek; Towards "a new type of building": Robert Smithson's architectural criticism, by Mark Linder; In the Yucata n: mirroring presence and absence, by Suzaan Boettger; "A heap of language": Robert Smithson and American hieroglyphics, by Richard Sieburth; A lurid presence: Smithson's legacy and post-studio art, by Cornelia Butler; The Catalogue of Robert Smithson's library, by Alexander Alberro; Catalogue of Robert Smithson's library: books, magazines, and records. Size: 4to. Collectible. Seller Inventory # 124246
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Paperback. White and color-illustrated wraps with red lettering; 280 pp.; richly illustrated; ephemera laid in. "This fully illustrated 280-page book accompanies the first comprehensive American retrospective of Robert Smithson's (1938-1973) complex and highly influential body of work. Perhaps best known as the creator of Spiral Jetty, a fifteen-hundred-foot rock coil dramatically situated in Utah's Great Salt Lake, Smithson also broke new ground with his films, photographs, writings, drawings, sculptures, and collages. His oeuvre defied convention, utilizing nontraditional art materials such as mirrors, maps, concrete, earth, and asphalt - in addition to language, as both a written and visual medium. Smithson's revolutionary ideas moved art beyond the walls of the museum into the landscape itself."-- Hardcover DJ. Good + (Shelfwear to wraps and bookblock; interior is clean; binding is solid.). Seller Inventory # 207415
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Paperback. White and color-illustrated wraps with red lettering; 280 pp.; richly illustrated. "This fully illustrated 280-page book accompanies the first comprehensive American retrospective of Robert Smithson's (1938-1973) complex and highly influential body of work. Perhaps best known as the creator of Spiral Jetty, a fifteen-hundred-foot rock coil dramatically situated in Utah's Great Salt Lake, Smithson also broke new ground with his films, photographs, writings, drawings, sculptures, and collages. His oeuvre defied convention, utilizing nontraditional art materials such as mirrors, maps, concrete, earth, and asphalt - in addition to language, as both a written and visual medium. Smithson's revolutionary ideas moved art beyond the walls of the museum into the landscape itself."-- Hardcover DJ. VG (Very light edgewear to wraps and textblock; interior is in excellent condition.). Seller Inventory # 200397
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Trade Paperback. Condition: Used - Very Good. This fully illustrated 248-page book accompanies the first comprehensive American retrospective of Robert Smithson's (1938-1973) complex and highly influential career. Straddling the movements of minimalism and land art, Smithson, who died in a plane crash at the age of 35, had a profound impact on the cultural landscape that resonates to this day. 'Robert Smithson 'presents essays by top Smithson scholars alongside both archival imagery and specially commissioned photography of the artist's works; it considers the interrelationship of Smithson's complete artistic output, from the earliest figurative work up to his famed earthworks. Smithson's revolutionary ideas positioned art as existing beyond the walls of the museum in media such as writing and film, and even in the landscape itself. This volume and the exhibition it accompanies explore Smithson's work within the context of the artistic climate of the late 1960s as well as ensuing decades.Perhaps most renowned as the creator of 'Spiral Jetty '(1970), a fifteen-hundred-foot rock coil dramatically situated in the Great Salt Lake, Smithson also broke new ground with his films, photographs, writing, drawings, and collages. Eugenie Tsai provides a curatorial overview of the exhibition, which includes early writings, drawings, and other work with religious, erotic, and pop culture motifs that deepen our understanding of Smithson's diverse practice. Other contributions to the volume are a previously unpublished interview with Smithson by Moira Roth; a substantive historical and critical essay by Thomas Crow; an essay by MOCA curator Cornelia Butler discussing Smithson's lineage and his influence on contemporary artists; and a series of texts focusing on key works from Smithson's oeuvre, including 'Incidents of Mirror Travel in the Yucatan 'by Suzaan Boettger, 'Enantiomorphic Chambers 'by Ann Reynolds, 'Airport Terminal Project 'by Mark Linder, 'Spiral Jetty 'by Jennifer Roberts, 'Heap of Language 'by Richard Sieburth, 'Proposal for Monument at Antartica '[sic] by Robert Sobieszek. The book also features the complete 'Library List--'a posthumously compiled list of publications in Smithson's personal library--with an introduction by Alexander Alberro, as well as an exhibition checklist and annotated exhibition chronology. This catalogue is 'the' major study of Smithson (1938-1973), who is most renowned as an early earthworks artist and creator of Spiral Jetty, a 1,500-foot rock coil dramatically situated in the Great Salt Lake. Very nice clean, tight copy free of any marks. Seller Inventory # 306702
Seller: Smith Family Bookstore Downtown, Eugene, OR, U.S.A.
Soft cover. Condition: Very Good. First printing with full number line beginning with 1. Very light bump to bottom of spine, otherwise french-fold covers are in very good condition. Binding tight and text clean. Seller Inventory # 4434118