Robert Rauschenberg: Thirty-Four Illustrations for Dante's Inferno
Language: English
Published by The Museum of Modern Art, New York, 2017
- Softcover
- Used



Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA
AbeBooks seller since February 4, 1997
Condition: Used
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Add to basketItem description from seller
Color-illustrated wraps with brown and white lettering. 104 pp. Mainly color illustrations. Robert Rauschenberg worked in a wide range of mediums including painting, sculpture, prints, photography, and performance, over the span of six decades. He emerged on the American art scene at the time that Abstract Expressionism was dominant, and through the course of his practice he challenged the gestural abstract painting and the model of the heroic, self-expressive artist championed by that movement. Photography and printmaking were two of Rauschenberg's abiding interests. In the 1958?60 series based on the thirty-four Cantos of Dante's 'Inferno' (346.1963.1-34), he used a solvent to transfer photographs from contemporary magazines and newspapers onto drawing paper. The series is emblematic of a lifetime of experimentation with the ways the deluge of images in modern media culture could be transmitted and transformed. -FirstSearch.
Seller Inventory # 166322
- Title
- Robert Rauschenberg: Thirty-Four Illustrations for Dante's Inferno
- Author
- Dickerman, Leah, Robin Coste Lewis, and Kevin Young
- Publisher
- The Museum of Modern Art, New York
- Publication year
- 2017
- Condition
- New in shrinkwrap.
- Binding
- Paperback
- Language
- English
- ISBN 10
- 1633450295
- ISBN 13
- 9781633450295
- Seller catalogs
- American Artists
Between 1958 and 1960, Robert Rauschenberg made drawings for each of the thirtyfour cantos, or sections, of Dante’s fourteenth-century poem Inferno by using a novel technique to transfer photographic reproductions from magazines or newspapers onto paper. Acquired by The Museum of Modern Art soon after it was completed, the resulting work is his most sustained exercise in the medium of drawing and a testament to Rauschenberg’s desire to bring his experience of the contemporary world into his art. The drawings weave together meditations on public and private spheres, politics and inner life. Above all, they pay homage to creativity in dialogue: each drawing is a conversation with Dante across the centuries. This volume includes newly commissioned poems by Robin Coste Lewis and Kevin Young that offer contemporary responses to Rauschenberg’s celebrated series and an essay by MoMA curator Leah Dickerman that explores its making in depth.
"Synopsis" may belong to another edition of this title.
About the Author
Kevin Young is Director of the Schomburg Center for Research in Black Culture and the poetry editor at The New Yorker. He is the author of eleven books of poetry and prose, most recently Blue Laws: Selected & Uncollected Poems 1995–2015 (2016), which was long-listed for the National Book Award.
Robin Coste Lewis is a Provost’s Fellow in Poetry and Visual Studies at the University of Southern California and the author of Voyage of the Sable Venus (2015), winner of the National Book Award for Poetry.
"About the title" may belong to another edition of this title.
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Mullen Books maintains a very active computerized inventory which grows by 2-300 titles per week. Our specialties include Art, Architecture, Photography, Decorative Arts, History, Periodicals related to those areas. We have very rare as well as fairly common titles. Current inventory is approximately 79,000 titles. We have about 1000 feet of backlog in our specialties numbering over 30,000 items (including 20,000+ smaller and ephemeral catalogues devoted to individual artist exhibitions). Current stock occupies over 2.3 miles of shelving. We are active buyers as well as very active sellers, and supply entire reference libraries as well as individual titles. We ship books everywhere. Our website mullenbooks.com maintains our entire database of ovber 151,000 titles dynamcially, so you can submit "wants" for books which are listed, but not currently in-stock. It is a major research tool.
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