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Better World Books: West, Reno, NV, U.S.A.
Seller rating 5 out of 5 stars
AbeBooks Seller since 14 March 2016
Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 6291299-75
Robert Rauschenberg, one of the most prolific and influential artists of the postwar period, has created an astonishing variety of works during a career spanning more than fifty years. To illuminate the meaning of Rauschenberg’s art and the reasons behind his artistic choices, Robert Mattison in this book focuses closely on a small selection of the artist’s projects. Mattison offers an interpretation of Rauschenberg’s output that is both original and uniquely insightful, based on extensive research and first-hand observation of the artist at work in his studio.
Like Rauschenberg’s own work, the book ranges across a variety of disciplines. Mattison relates the artist’s output to the visual arts, politics, technology, dance, urban theory, and other intriguing contemporary issues. The book examines Rauschenberg’s working process, the effect of his dyslexia on his art, his seminal Combine paintings of the 1950s, fascination with the “space race,” and collaboration with well-known choreographer Trisha Brown. A final chapter explores the art Rauschenberg exhibited in Chile during the dangerous and repressive rule of dictator Augusto Pinochet.
About the Author:
Robert S. Mattison is Marshall R. Metzgar Professor of Art History at Lafayette College.
Title: Robert Rauschenberg : Breaking Boundaries
Publisher: Yale University Press
Publication Date: 2003
Binding: Hardcover
Condition: Good
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. Seller Inventory # M0300099312Z2
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. Seller Inventory # M0300099312Z3
Seller: Books From California, Simi Valley, CA, U.S.A.
hardcover. Condition: Very Good. Seller Inventory # mon0003804329
Seller: Moe's Books, Berkeley, CA, U.S.A.
Hard cover. Condition: Very good. Dust Jacket Condition: Very good. Jacket is slightly faded on the spine but is in great condition otherwise. Title page has some scuffing/ink transfer. Final pages have some of the same marks. The other pages are clean and unmarked. Seller Inventory # 2042820
Seller: Chequamegon Books, Washburn, WI, U.S.A.
hardcover. Condition: very good. Dust Jacket Condition: very good. 10 x 11 1/4" 277 pages. "The book covers the influence of urbanism on Rauschenberg's Combine paintings of the 1950s and explores his involvement with the 'space race; during the 1960s and 1970s,: " ex college library dj spine label inked out, stamped on page edges, pocket and sticker on inside rear cover. dj now in mylar protector. shipping will be extra for this large and heavy book, please inquire. Seller Inventory # 130917
Seller: Bay State Book Company, North Smithfield, RI, U.S.A.
Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing. Seller Inventory # BSM.ZT0M
Seller: ANARTIST, New York, NY, U.S.A.
Hardcover with dustjacket, 278 pages; good condition: ex-gallery library copy with call number taped around bottom of dj spine; sticker and stamps on first page; no other internal marks. Foreign shipping may be extra. Seller Inventory # RoRaYa25
Seller: The Old Print Shop, Inc., New York, NY, U.S.A.
Hardcover. Condition: As New. Dust Jacket Condition: As New. By Robert S. Mattison. vi, 278 pages, 104 illustrations (32 color), bibliog., quarto (4to), hardcover, black cloth, white lettering on spine, dust jacket. Very good condition, unsold inventory of an old bookstore. Inventory #58335-2. Seller Inventory # 000316
Seller: Sequitur Books, Boonsboro, MD, U.S.A.
Hardcover. Condition: As New. Hardcover and dust jacket. Good binding and cover. Light wear. Clean, unmarked pages. vi, 277 pages : illustrations (some color) ; 29 cm. This is an oversized or heavy book, which requires additional postage for international delivery outside the US. Seller Inventory # 2310270028
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Condition: VG/VG. Black boards with white spine lettering. BW-illustrated dust jacket with black and red lettering. "Robert Rauschenberg is one of the most prolific and best-known artists of the post-war period, whose work, ranging across a number of disciplines, has influenced avant-garde art since the 1950s. Rauschenberg has allowed Robert Mattison into his studio to observe the artist at work and this resulting book examines selected projects in depth so that the meaning of his art, his working procedures, and the reasons behind his various artistic choices may be better understood." "The book covers the influence of urbanism on Rauschenberg's Combine paintings of the 1950s and explores his involvement with the "space race" during the 1960s and 1970s, relating his works to popular culture and demonstrating the development of his ideas about the peaceful exploration of space. Mattison examines Rauschenberg's extensive involvement in the performing arts, tracing his connections to avant-garde dance in America, addressing his own performances, and focusing on his work with the well-known choreographer Trisha Brown. The final chapter examines Rauschenberg's most extensive artistic undertaking, the Rauschenberg Overseas Culture Interchange (ROCI). One venue of this seven-year and eleven-country project was Chile, which Rauschenberg visited while the country was under the rule of dictator Augusto Pinochet. The author shows how in dangerous political circumstances Rauschenberg was able to execute and exhibit works critical of the government." "Lavishly illustrated with Rauschenberg's works and photographs of the artist in performance and in the studio, the mixture of the visual arts, politics, technology, dance, and urban theory - among other issues - covered in this study recommends it to a wide audience and speaks to the multidisciplinary scholarship of our era."--Jacket. Seller Inventory # 171933