Rhythmic Subjects. This item is unavailable.Rhythmic Subjects

Dance is a uniquely significant art form, whose primary material is not simply 'the body', but energy as it is used and experienced in movement. Energy is central to discourses of modernity and modernism, in which choreographers and dancers can actively intervene through their innovative use of energy. Mary Wigman, Martha Graham, and Merce Cunningham are key choreographers of the twentieth and twenty-first centuries, whose rhythmic innovations challenged and established norms of energy usage in their socio-cultural contexts, enabling their contemporaries to engage differently with dominant economics of energy. Dee Reynolds' book explores the rhythmic innovations of these choreographers by combining discussion of cultural contexts with close analysis of specific dance works. Uses of energy in dance are described and analysed with the aid of concepts drawn from Rudolf Laban's writings, and are theorised with reference to historical, social and cultural contexts and to phenomenological and poststructuralist approaches to the embodied subject, constructing the argument that choreographical innovation - including recent work using digital technologies - involves a process of 'kinesthetic imagination'.

"The starting point for Dee Reynolds's RHYTHMIC SUBJECTS is so obvious and so clearly central to theatre dance that it is surprising that no one has focused on it before. Energy is at the heart of the experience of performing and watching modern dance and key to what is so engaging and desirable about this experience. What Reynolds does with this theme, however, is subtle and surprising. This is a book that will have a significant impact on dance scholarship". Ramsay Burt, Professor of Dance History, De Montfort University"