In Response to Echo : Beyond Mimesis or Dissolution As Scopic Regime (With Special Attention to Camouflage)
Baert, Barbara
ISBN 10: 9042933461 ISBN 13: 9789042933460
Published by Peeters, 2016
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In his Metamorphoses, Ovid (43 BC - AD 17) tells the story of Echo and Narcissus. Echo's love for Narcissus ended in a cruel twist of fate. Already punished with an echo for a voice, the nymph suffered further as she petrified and her bones became stones. The study of art has long focused on the Narcissus-mirror syndrome as a paradigm for painting (Leon Battista Alberti (1404-1472)). Echo had no place in this masculine scopic discipline. Recent approaches have rehabilitated Echo from a visual, cultural and gendered point of view. Echo cries; she cries for an alternative to the mirror paradigm and oculocentrism. She helps us break free from Narcissus in favour of visual modalities such as dissolution, camouflage and contamination, in short, disappearance as an alternative to the scopic regime. In this essay I treat the impact of Echo on art history through the lenses of: gender, speech and hearing; Echo as textilisation and sacrifice; Echo as chthonic art; and, finally, Echo and le désir mimétique. With this approach, I develop a new hermeneutic to reintegrate the sonoric senses, camouflage theory, gender epistemology, and the anthropological substrata of nature, love and death into our Western obsession for mimetic thinking.
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Title: In Response to Echo : Beyond Mimesis or ...
Publisher: Peeters
Publication Date: 2016
Binding: Soft cover
Condition: As New
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In Response to Echo
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ISBN 10: 9042933461
ISBN 13: 9789042933460
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In Response to Echo (Paperback)
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Peeters Publishers, Leuven, 2016
ISBN 10: 9042933461
ISBN 13: 9789042933460
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Paperback. Condition: new. Paperback. In his Metamorphoses, Ovid (43 BC - AD 17) tells the story ofEcho and Narcissus. Echo's love for Narcissus ended in a cruel twist offate. Already punished with an echo for a voice, the nymph sufferedfurther as she petrified and her bones became stones. The study of arthas long focused on the Narcissus-mirror syndrome as a paradigm forpainting (Leon Battista Alberti (1404-1472)). Echo had no place in thismasculine scopic discipline. Recent approaches have rehabilitated Echofrom a visual, cultural and gendered point of view. Echo cries; shecries for an alternative to the mirror paradigm and oculocentrism. Shehelps us break free from Narcissus in favour of visual modalities suchas dissolution, camouflage and contamination, in short, disappearance asan alternative to the scopic regime. In this essay I treat the impact ofEcho on art history through the lenses of: gender, speech and hearing;Echo as textilisation and sacrifice; Echo as chthonic art; and, finally,Echo and le desir mimetique. With this approach, Idevelop a new hermeneutic to reintegrate the sonoric senses, camouflagetheory, gender epistemology, and the anthropological substrata ofnature, love and death into our Western obsession for mimetic thinking. In his Metamorphoses, Ovid (43 BC - AD 17) tells the story of Echo and Narcissus. Echo's love for Narcissus ended in a cruel twist of fate. This essay treats the impact of Echo on art history through the lenses of gender, speech and hearing; Echo as textilization and sacrifice; Echo as chthonic art; and, finally, Echo and le desir mi Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9789042933460
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In Response to Echo (Paperback)
Published by
Peeters Publishers, Leuven, 2016
ISBN 10: 9042933461
ISBN 13: 9789042933460
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Paperback. Condition: new. Paperback. In his Metamorphoses, Ovid (43 BC - AD 17) tells the story ofEcho and Narcissus. Echo's love for Narcissus ended in a cruel twist offate. Already punished with an echo for a voice, the nymph sufferedfurther as she petrified and her bones became stones. The study of arthas long focused on the Narcissus-mirror syndrome as a paradigm forpainting (Leon Battista Alberti (1404-1472)). Echo had no place in thismasculine scopic discipline. Recent approaches have rehabilitated Echofrom a visual, cultural and gendered point of view. Echo cries; shecries for an alternative to the mirror paradigm and oculocentrism. Shehelps us break free from Narcissus in favour of visual modalities suchas dissolution, camouflage and contamination, in short, disappearance asan alternative to the scopic regime. In this essay I treat the impact ofEcho on art history through the lenses of: gender, speech and hearing;Echo as textilisation and sacrifice; Echo as chthonic art; and, finally,Echo and le desir mimetique. With this approach, Idevelop a new hermeneutic to reintegrate the sonoric senses, camouflagetheory, gender epistemology, and the anthropological substrata ofnature, love and death into our Western obsession for mimetic thinking. In his Metamorphoses, Ovid (43 BC - AD 17) tells the story of Echo and Narcissus. Echo's love for Narcissus ended in a cruel twist of fate. This essay treats the impact of Echo on art history through the lenses of gender, speech and hearing; Echo as textilization and sacrifice; Echo as chthonic art; and, finally, Echo and le desir mi Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9789042933460
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In Response to Echo: Beyond Mimesis or Dissolution as Scopic Regime (with Special Attention to Camouflage)
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In Response to Echo (Paperback)
Published by
Peeters Publishers, Leuven, 2016
ISBN 10: 9042933461
ISBN 13: 9789042933460
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Paperback. Condition: new. Paperback. In his Metamorphoses, Ovid (43 BC - AD 17) tells the story ofEcho and Narcissus. Echo's love for Narcissus ended in a cruel twist offate. Already punished with an echo for a voice, the nymph sufferedfurther as she petrified and her bones became stones. The study of arthas long focused on the Narcissus-mirror syndrome as a paradigm forpainting (Leon Battista Alberti (1404-1472)). Echo had no place in thismasculine scopic discipline. Recent approaches have rehabilitated Echofrom a visual, cultural and gendered point of view. Echo cries; shecries for an alternative to the mirror paradigm and oculocentrism. Shehelps us break free from Narcissus in favour of visual modalities suchas dissolution, camouflage and contamination, in short, disappearance asan alternative to the scopic regime. In this essay I treat the impact ofEcho on art history through the lenses of: gender, speech and hearing;Echo as textilisation and sacrifice; Echo as chthonic art; and, finally,Echo and le desir mimetique. With this approach, Idevelop a new hermeneutic to reintegrate the sonoric senses, camouflagetheory, gender epistemology, and the anthropological substrata ofnature, love and death into our Western obsession for mimetic thinking. In his Metamorphoses, Ovid (43 BC - AD 17) tells the story of Echo and Narcissus. Echo's love for Narcissus ended in a cruel twist of fate. This essay treats the impact of Echo on art history through the lenses of gender, speech and hearing; Echo as textilization and sacrifice; Echo as chthonic art; and, finally, Echo and le desir mi Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9789042933460