Relentless Pursuit of Tone : Timbre in Popular Music
Language: English
Published by Oxford University Press Okt 2018, 2018
- Softcover
- New
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
AbeBooks seller since August 14, 2006
Condition: New
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Add to basketItem description from seller
Neuware - The Relentless Pursuit of Tone: Timbre in Popular Music assembles a broad spectrum of contemporary perspectives on how 'sound' functions in an equally wide array of popular music. Ranging from the twang of country banjoes and the sheen of hip-hop strings to the crunch of amplified guitars and the thump of subwoofers on the dance floor, this volume bridges the gap between timbre, our name for the purely acoustic characteristics of sound waves, and tone, an emergent musical construct that straddles the borderline between the perceptual and the political. Essays engage with the entire history of popular music as recorded sound, from the 1930s to the present day, under four large categories. 'Genre' asks how sonic signatures define musical identities and publics; 'Voice' considers the most naturalized musical instrument, the human voice, as racial and gendered signifier, as property or likeness, and as raw material for algorithmic perfection through software; 'Instrument' tells stories of the way some iconic pop music machines-guitars, strings, synthesizers-got (or lost) their distinctive sounds; 'Production' then puts it all together, asking structural questions about what happens in a recording studio, what is produced (sonic cartoons rockist authenticity empty space ) and what it all might mean.…
Seller Inventory # 9780199985234
- Title
- Relentless Pursuit of Tone : Timbre in Popular Music
- Author
- Melinda Latour
- Publisher
- Oxford University Press Okt 2018
- Publication year
- 2018
- Condition
- Neu
- Binding
- Taschenbuch
- Language
- English
- ISBN 10
- 0199985235
- ISBN 13
- 9780199985234
- Item weight
- 682 grams
- Dimensions
- 233x154x30 mm
"Synopsis" may belong to another edition of this title.
About the Author
Melinda Latour is Rumsey Family Assistant Professor of Musicology at Tufts University. She has received numerous awards, including the Mellon/ACLS Dissertation Completion Fellowship, and the Newberry Library École nationale des chartes Exchange Fellowship. Her work appears in the Journal of Musicology (2015), the Revue de musicologie (2016), and the Cambridge History of Sixteenth-Century Music (forthcoming).
Zachary Wallmark is Assistant Professor of Musicology at SMU Meadows School of the Arts.
His research explores the contribution of timbre to affective response, aesthetic judgment, and empathy in popular music and jazz, using methods from musicology and the cognitive sciences.
He is currently at work on a monograph tentatively titled Nothing but Noise: Timbre and Musical Meaning at the Edge (Oxford). Wallmark is the recipient of an NEH Fellowship (2017-18).
"About the title" may belong to another edition of this title.
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