Realism and the American Dramatic Tradition
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AbeBooks Seller since 24 March 2009
Used - Soft cover
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Add to basketSold by ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
AbeBooks Seller since 24 March 2009
Condition: Used - Good
Quantity: 1 available
Add to basketPages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Seller Inventory # G0817308377I3N00
This book reconsiders realism on the American stage by addressing the great variety and richness of the plays that form the American theatre canon.
Any review of 20th-century American theatre invariably leads to the term realism. Yet despite the strong tradition of theatrical realism on the American stage, the term is frequently misidentified, and the practices to which it refers are often attacked as monolithically tyrannical, restricting the potential of the American national theatre.This book reconsiders realism on the American stage by addressing the great variety and richness of the plays that form the American theatre canon. By reconsidering the form and revisiting many of the plays that contributed to the realist tradition, the authors provide the opportunity to apprise strengths often overlooked by previous critics. The volume traces the development of American dramatic realism from James A. Herne, the "American Ibsen," to currently active contemporaries such as Sam Shepard, David Mamet, and Marsha Norman. This frank assessment, in sixteen original essays, reopens a critical dialog too long closed.
Essays include:
American Dramatic Realisms, Viable Frames of Thought
The Struggle for the Real--Interpretive Conflict, Dramatic Method, and the Paradox of Realism
The Legacy of James A. Herne: American Realities and Realisms
Whose Realism? Rachel Crothers's Power Struggle in the American Theatre
The Provincetown Players' Experiments with Realism
Servant of Three Masters: Realism, Idealism, and "Hokum" in American High Comedy
William W. Demastes is Professor of English at Louisiana State University.
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