Octavo, xiv, 221 pages. In Good condition with a Very Good dust jacket. Spine is brown with tan print. Dust jacket in mylar. Boards in purple cloth. Text black has name in ink and bp on front flyleaf. Illustrated: b&w. NOTE: Shelved in Locked Annex Area, ND-HV Section. 1379190. FP New Rockville Stock.

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Bibliographic Details

Title

REMBRANDT'S BANKRUPTCY : THE ARTIST, HIS PATRONS, AND THE ART MARKET IN SEVENTEENTH-CENTURY NETHERLANDS

Publisher

Cambridge University Press, Cambridge

Publication Date

2006

Language

English

ISBN 10

0521858259

ISBN 13

9780521858250

Binding

Hardcover

Dust Jacket Condition

Dust Jacket Included

Seller catalogs

Visual Arts

About this title

Synopsis

This study, first published in 2006, examines the causes, circumstances, and effects of the 1656 bankruptcy of Rembrandt van Rijn. Following a highly successful early career, Rembrandt's idiosyncratic art and lifestyle came to dominate his reputation. His evasion of responsibility to his creditors was so socially disreputable that laws in Amsterdam were quickly altered. The poor management of his finances magnified other difficulties that he had with family, paramours, friends, neighbors, and patrons. Collectively, Rembrandt's economic and social exigencies affected his living and working environment, his public station, and his art. This study examines all of these aspects of Rembrandt's bankruptcy, including his marketing practices, the appreciation of his work, and his relations with patrons, in addition to the details of the bankruptcy itself. Several patterns of short-sighted decision-making emerge as Rembrandt conducted his affairs within a constantly changing framework of relationships, a shifting set of obligations, and evolving artistic pursuits.

About the Author

Paul Crenshaw is assistant professor of art history and archaeology at Washington University in St Louis.

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Store Description

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12160 Parklawn Dr, Rockville, MD, 20852, U.S.A.

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