Synopsis
How South Asian architects broke with the colonial past and found ingenious ways to negotiate modernism's universalist claims with the material and labor conditions on the ground
South Asia holds a unique place among the many regions of the world where modern architecture was understood as both a tool for social progress and a global lingua franca in the second half of the 20th century. Following the end of British rule in 1947-48, architects in the newly formed nations of India, Pakistan, Bangladesh (East Pakistan until 1971) and Ceylon (now Sri Lanka) proposed a novel understanding of modernity, disrupting the colonial hierarchy of center and periphery by challenging modernism's universalist claims.
Architecture offered multiple ways to break with the colonial past. Through the establishment of institutions that embodied the societal aspirations of the period, and the creation of new cities and spaces for political representation, South Asian architects produced a distinct body of work in dialogue with global developments while advancing the theory and practice of low-cost, climatically and socially responsive design.
Anchored by a newly commissioned portfolio of images from architectural photographer Randhir Singh, this richly illustrated and meticulously researched catalog features essays by the curators and leading scholars in the field on subjects such as the politics of concrete, institution-building, higher education, housing, infrastructure and industry, landscape and design, as well as presentations of 17 transformative projects from around the subcontinent. While several of the architects appearing in these pages have in recent years received monographic exhibitions, The Project of Independence marks the first attempt to consider their work within the ideological frameworks of its creation and the political context of the region as a whole.
About the Author
Martino Stierli is The Philip Johnson Chief Curator of Architecture and Design at The Museum of Modern Art, New York.
Sean Anderson, Associate Curator, The Museum of Modern Art, New York
Kazi Khaleed Ashraf, Director-General, Bengal Institute
Da Hyung Jeong
Evangelos Kotsioris, Curatorial Assistant, The Museum of Modern Art, New York
Nonica Datta
Prajna Desai, C-MAP Fellow for Asia, The Museum of Modern Art, New York
Farhan Karim, Assistant Professor of Architectural History, Architecture Department, School of Architecture & Design, The University of Kansas
Saloni Mathur
Rahul Mehrotra, Professor of Urban Design and Planning, Graduate School of Design, Harvard University
Anoma Pieris, Associate Professor, Faculty of Architecture, Building and Planning, Melbourne School of Design, University of Melbourne
Mrnalini Rajagopalan
Peter Scriver, Associate Professor, and Amit Srivastava, Senior Lecturer, School of Architecture and Built Environment, University of Adelaide
Devika Singh, Affiliated Scholar, Centre of South Asian Studies of the University of Cambridge; Member of Global Art Prospective, Institut National d’Histoire de l’Art (INHA), Paris
Amit Srivastava
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