Prints and Printmaking: An Introduction to the History and Techniques

Griffiths, Antony

ISBN 10: 0520207149 / ISBN 13: 9780520207141

Published by University of California Press, 1996

About this Item

Softcover. Good binding and cover. Edge wear. Corner bumped. Clean, unmarked pages. From the library Dr. Owen Hannaway. Hannaway was director of the Center for the History and Philosophy of Science at Johns Hopkins University. He authored numerous books and served as an editor of academic magazines in the history of science. Partial list of publications: Chemists and the Word: The Didactic Origins of Chemistry (1975); Observation, Experiment, and Hypothesis in Modern Physical Science (1985); The Evolution of Technology (1989); Science and the Practice of Medicine in the Nineteenth Century (1994); and The Foundations of Modern Science in the Middle Ages: Their Religious, Institutional and Intellectual Contexts (1996).

Seller Inventory # 2501140092

Bibliographic Details

• Title: Prints and Printmaking: An Introduction to the History and Techniques
• Publisher: University of California Press
• Publication Date: 1996
• Language: English
• ISBN 10: 0520207149
• ISBN 13: 9780520207141
• Binding: Paperback
• Condition: Very Good
• Weight: 19 ounces
• Seller catalogs:
  • Art, Architecture and Photography

About this title

Synopsis

A print is a pictorial image that has been produced by a process that enables it to be multiplied, and many of the best-known works by some of the world's greatest artists are prints. Yet little is understood about this popular art form. Now Antony Griffiths provides an excellent introduction for anyone who wishes to acquire a basic understanding of prints and printmaking. In succinct and lucid language, he explains the different printmaking techniques and shows both details and whole prints to demonstrate the effects that can be achieved. Woodcuts, engraving, etching, mezzotint, and lithography are among the many processes explained, illustrated, and placed within a historical context.

This fully revised and updated edition of the highly praised 1980 British publication is available for the first time in the United States. With its complete glossary, index, and helpful illustrations, Griffiths's book is the essential foundation for an intelligent appreciation of the printmaker's art.

About the Author

Antony Griffiths is Keeper of the Department of Prints and Drawings at the British Museum. He is the co-author of Avant-Garde British Printmaking, 1914-1960 and German Printmaking in the Age of Goethe. He is the editor of Landmarks in Print Collecting: Connoisseurs and Donors at the British Museum since 1753.