The Practice of Theory: Poststructuralism, Cultural Politics, and Art History
Language: English
Published by Cornell University Press, 1994
- Softcover
- Used
Seller: Diatrope Books, Berkeley, CA, U.S.A.Diatrope Books
AbeBooks seller since December 15, 2011
Condition: Used - Very good
£ 6.38
Quantity: 1 available
Add to basketItem description from seller
--ALL INVENTORY 40% OFF in Sept--Unmarked text. Bumped corner. 27 black-and-white illustrations. Sections on cultural political theory and cultural political practice. Topics include representations, ideology, authorship, Panofsky's Melancolia, the paradox of mimesis, seeing through, and more. Index. 153p. Measures 6x9.25 inches.
Seller Inventory # 36717
- Title
- The Practice of Theory: Poststructuralism, Cultural Politics, and Art History
- Author
- Moxey, Keith
- Publisher
- Cornell University Press
- Publication year
- 1994
- Condition
- Very Good
- Binding
- Paperback
- Language
- English
- ISBN 10
- 0801481538
- ISBN 13
- 9780801481536
- Item weight
- 10 ounces
- Dimensions
- 6x0x9
- Seller catalogs
- Art History
Many art historians regard poststructuralist theory with suspicion; some even see its focus on the political dimension of language as hostile to an authentic study of the past. Keith Moxey bridges the gap between historical and theoretical approaches with the provocative argument that we cannot have one without the other. "If art history is to take part in the processes of cultural transformation that characterize our society," he writes, "then its historical narratives must come to terms with the most powerful and influential theories that currently determine the way in which we conceive of ourselves."
After exploring how the insights offered by deconstruction and semiotics change our understanding of representation, ideology, and authorship, Moxey himself puts theory into practice. In a series of engaging essays accompanied by twenty-eight illustrations, he first examines the impact of cultural values on Erwin Panofsky's writings. Taking a fresh look at work by artists from Albrecht Dürer and Erhard Schön to Barbara Kruger and Julian Schnabel, he then examines the process by which he generic boundaries between "high" and "low" art have helped to sustain class and gender differences. Making particular reference to the literature on Martin Schongauer, Moxey also considers the value of art history when it is reduced to artist's biography. Moxey's interpretation of the work of Hieronymus Bosch not only reassesses its intelligence and imagination, but also brings to light its pragmatic conformity to elite definitions of artistic "genius." With his compelling analysis of the politics of interpretation, Moxey draws attention to a vital aspect of the cultural importance of history.
"Synopsis" may belong to another edition of this title.
About the Author
Keith Moxey is the author of books including Peasants, Warriors, and Wives: Popular Imagery in the Reformation. He is Professor of Art History at Barnard College and Columbia University.
"About the title" may belong to another edition of this title.
Diatrope Books
Berkeley, CA, U.S.A.
AbeBooks seller since December 15, 2011
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Ephemera, Philosophy, Religion, History of Medicine, History, History of Science and Technology, Artist Monographs, Art Exhibition Catalogs, Art History, Academic JournalsSeller's business information
Diatrope Books
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