Title: The Practice Run: How a Failed Art Heist Provided a Blueprint for the World's Largest Art Robbery
Publisher: Rowman & Littlefield Publishers
Publication Date: 2025
Language: English
ISBN 13: 9798881805951
Binding: hardcover
Condition: New

About this title

Synopsis

On Saint Patrick's Day, 1990, one of the largest art thefts in the world took place--the heist of Boston's Isabella Stewart Gardner Museum in which thirteen works of art, worth over half a billion dollars, were stolen by two thieves posing as policemen. Had there been a prior practice run for this theft? Ten years earlier, during the Christmas season, two thieves who posed as delivery men, after hijacking a FedEx van and etherizing its female driver, were thwarted in their attempt of a nearly identical robbery at The Hyde Collection in Glens Falls, New York--an art museum modeled after a one in Boston. The young mastermind of these crimes was Brian McDevitt of Swampscott, Massachusetts. He arrived in the small NY town in the spring of 1980, posing as a rich Vanderbilt heir and freelance writer. Prior to his failed heist he spent two months ingratiating himself to the museum's director, the author of this story, in hopes of extracting vital information that would aid in his crime. The book investigates the planning and execution of The Hyde's attempted robbery and traces McDevitt's various escapades following his jail sentences in New York State and one in Massachusetts over a previous bank heist. Ten years later he fled Boston immediately after the Gardner heist and settled in Hollywood, California, masquerading as a screenwriter. When word of his criminal past hit the West Coast, he hightailed it to South America to avoid extradition where he mysteriously died. FBI and Gardner Museum officials act skeptical about McDevitt's association with the heist, yet they claim they know who the perpetrators were but that they are dead, raising suspicion that McDevitt may be in the witness protection program. This story also explores the fascinating history of these two rather impoverished sister museums with art collections of international renown, that were jolted into the recognition of their vulnerabilities, following one thwarted and one actual theft. And even more fascinating is the possibility that a single individual might have been the mastermind of both crimes.

About the Author

Frederick J Fisher is retired museum professional. He received his bachelor’s degree from Portland State University, Portland, Oregon and his master’s degree (art history with a museum internship at the Smithsonian’s National Museum of American Art) from George Washington University, Washington, DC. Among his museum positions were, assistant to the director of the Krannert Art Museum, University of Illinois, Champaign-Urbana, executive director of The Hyde Collection, Glens Falls, New York and executive director of the Hillwood Estate, Museum and Gardens, Washington, DC. Both The Hyde and Hillwood are art collector homes with collections of international significance which under Fisher’s leadership were upgraded professionally including being accredited by the American Alliance of Museums, establishing research and publication programs and physical plant restoration and enhancements.

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