Paperback. On Friday 13 May 2016, the Australia Council for the Arts released the results of that agency's 'Four Year Organisations' grants. The result was a bloodbath: 65 organisations were defunded, and more than a hundred that applied were also unsuccessful. The arts sector dubbed it 'Black Friday'.The defunding of a slew of Australia's best-known smaller arts companies derived from the funding cuts and changes made by the Abbott Government. All told, according to the Australian Labor Party's Mark Dreyfus, the Coalition cut approximately $300 million from federal cultural funding prior to this defunding.Before the 2013 election, arts funding had been a more-or-less bipartisan policy area, supported by both major parties. But bipartisanship disappeared in the ideological environment of the new government. The Coalition didn't just slash the Australia Council's funding. It launched a new attack on arm's length arts funding itself -- a principle that has enjoyed four decades of bipartisan support. Why did George Brandis and the Coalition do this? What accounts for this assault on the cultural sphere?This essay is an attempt to tell that story, and to question what it means. Australian culture is being attacked by political actors, beholden to an ideology of privatising the cultural space. But if there are troubling realities, there are also opportunities. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Bibliographic Details

Title: Platform papers 48: When the Goal Posts Move (Paperback)
Publisher: Currency House Inc, Strawberry Hills
Publication Date: 2016
Language: English
ISBN 10: 0992489091
ISBN 13: 9780992489090
Binding: Paperback
Condition: new

About this title

Synopsis

On Friday 13 May 2016, the Australia Council for the Arts released the results of that agency's 'Four Year Organisations' grants. The result was a bloodbath: 65 organisations were defunded, and more than a hundred that applied were also unsuccessful. The arts sector dubbed it 'Black Friday'. The defunding of a slew of Australia's best-known smaller arts companies derived from the funding cuts and changes made by the Abbott Government. All told, according to the Australian Labor Party's Mark Dreyfus, the Coalition cut approximately $300 million from federal cultural funding prior to this defunding. Before the 2013 election, arts funding had been a more-or-less bipartisan policy area, supported by both major parties. But bipartisanship disappeared in the ideological environment of the new government. The Coalition didn't just slash the Australia Council's funding. It launched a new attack on arm's length arts funding itself -- a principle that has enjoyed four decades of bipartisan support. Why did George Brandis and the Coalition do this? What accounts for this assault on the cultural sphere? This essay is an attempt to tell that story, and to question what it means. Australian culture is being attacked by political actors, beholden to an ideology of privatising the cultural space. But if there are troubling realities, there are also opportunities.

About the Author

Ben Eltham is a writer, journalist, researcher and creative producer from Melbourne, Australia. He recently completed his PhD in cultural policy at the University of Western Sydney's Institute for Culture and Society. Throughout his 20s and 30s, Ben worked as a freelance arts journalist and critic, as well as a producer and festival director at a series of experimental and fringe arts festivals in Newcastle, Brisbane and Melbourne. He is currently a Fellow of the Centre for Policy Development and Research Fellow at Deakin University's Centre for Memory, Imagination and Invention.

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