There's No Place Like Home Video
Language: English
Published by University Of Minnesota Press, 2002
- Softcover
- New
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, GermanyBuchWeltWeit Ludwig Meier e.K.
AbeBooks seller since January 11, 2012
Condition: New
£ 21.79
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Add to basketItem description from seller
This item is printed on demand - it takes 3-4 days longer - Neuware -Defines, examines, and elevates home video to its rightful placeFrom its recording of family events to its influence on filmmaking, home video defies easy categorization and demands serious consideration. In There's No Place Like Home Video, James Moran takes on this neglected aspect of popular culture. He offers a cultural history of amateur home video, exploring its technological and ideological predecessors, the development of event videography, and its symbiotic relationship with television and film. He also investigates the broader field of video, taking on the question of medium specificity: the attempt to define its unique identity, to capture what constitutes its pure practice. In Moran's discussion of video, he argues that previous scholars have not sufficiently dealt with its nature as hybrid, varied, and mutable. He argues that such a medium shouldn't be conceived as pure in and of itself; it is neither autonomous from other media nor entirely dependent on any other, but instead has a chameleonlike interface with films, television, computers, telephones, and even architecture. Rather than look for a grand narrative to define its specificity, Moran places video and home video at the intersections of multiple forms of communication. 256 pp. Englisch.…
Seller Inventory # 9780816638017
- Title
- There's No Place Like Home Video
- Author
- James M. Moran
- Publisher
- University Of Minnesota Press
- Publication year
- 2002
- Condition
- Neu
- Binding
- Taschenbuch
- Language
- English
- ISBN 10
- 0816638012
- ISBN 13
- 9780816638017
- Dimensions
- 254x178x15 mm
Defines, examines, and elevates home video to its rightful place
From its recording of family events to its influence on filmmaking, home video defies easy categorization and demands serious consideration. In There’s No Place Like Home Video, James Moran takes on this neglected aspect of popular culture. He offers a cultural history of amateur home video, exploring its technological and ideological predecessors, the development of event videography, and its symbiotic relationship with television and film. He also investigates the broader field of video, taking on the question of medium specificity: the attempt to define its unique identity, to capture what constitutes its pure practice.
In Moran’s discussion of video, he argues that previous scholars have not sufficiently dealt with its nature as hybrid, varied, and mutable. He argues that such a medium shouldn’t be conceived as pure in and of itself; it is neither autonomous from other media nor entirely dependent on any other, but instead has a chameleonlike interface with films, television, computers, telephones, and even architecture. Rather than look for a grand narrative to define its specificity, Moran places video and home video at the intersections of multiple forms of communication."Synopsis" may belong to another edition of this title.
About the Author
James M. Moran is adjunct professor of visual and media arts at Emerson College in Los Angeles.
"About the title" may belong to another edition of this title.
BuchWeltWeit Ludwig Meier e.K.
Bergisch Gladbach, Germany
AbeBooks seller since January 11, 2012
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