Pinocchio's Progeny: Puppets, Marionettes, Automatons and Robots in Modernist and Avant-garde Drama
Language: English
Published by Johns Hopkins University Press, 1995
- Softcover
- Used
Seller: World of Books Inc, Montgomery, IL, U.S.A.World of Books Inc
AbeBooks seller since March 23, 2026
Condition: Used - Very good
£ 11.02
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Add to basketItem description from seller
While Carlo Collodi's internationally revered "Pinocchio" may not have been the single source of the modernist fascination with puppets and marionettes, the book's appearance on the threshold of the modernist movement heralded a new artistic interest in the making of human likenesses. And the puppets, marionettes, and other forms that figure so vividly and provocatively in modernist and avant-garde drama can, according to Harold Segel, be regarded as Pinocchio's progeny.Segel argues that the philosophical, social, and artistic proclivities of the modernist movement converged in the discovery of an exciting new relevance in the puppet and marionette. Previously viewed as entertainment for children and fairground audiences, puppets emerged as an integral component of the modernist vision. They became metaphors for human helplessness in the face of powerful forces -- from Eros and the supernatural to history, industrial society, and national myth. Dramatists used them to satirize the tyranny of bourgeois custom and convention, to deflate the arrogance of the powerful, and to breathe new life into a theater that had become tradition-bound and commercialized. "Pinocchio's Progeny" offers a broad overview of the uses of these figures in European drama from 1890 to 1935. It considers developments in France, Spain, Italy, Austria, Germany, Sweden, Russia, Poland and Czechoslovakia. In his introduction, Segel reviews the premodernist literary and dramatic treatment of the puppet and marionette from Cervantes' "Don Quixote" to the turn-of-the- century European cabaret. His epilogue considers the appearance of puppets and marionettes in postmodern European and American drama by examiningworks by such dramatists as Jean-Claude Van Itallie, Heiner M]ller, and Tadeusz Kantor.…
Seller Inventory # CIN0801852625VG
- Title
- Pinocchio's Progeny: Puppets, Marionettes, Automatons and Robots in Modernist and Avant-garde Drama
- Author
- Harold B Segel
- Publisher
- Johns Hopkins University Press
- Publication year
- 1995
- Condition
- Very Good
- Binding
- Paperback
- Language
- English
- ISBN 10
- 0801852625
- ISBN 13
- 9780801852626
While Carlo Collodi's internationally revered Pinocchio may not have been the single source of the modernist fascination with puppets and marionettes, the book's appearance on the threshold of the modernist movement heralded a new artistic interest in the making of human likenesses. And the puppets, marionettes, and other forms that figure so vividly and provocatively in modernist and avant-garde drama can, according to Harold Segel, be regarded as Pinocchio's progeny.
Segel argues that the philosophical, social, and artistic proclivities of the modernist movement converged in the discovery of an exciting new relevance in the puppet and marionette. Previously viewed as entertainment for children and fairground audiences, puppets emerged as an integral component of the modernist vision. They became metaphors for human helplessness in the face of powerful forces -- from Eros and the supernatural to history, industrial society, and national myth. Dramatists used them to satirize the tyranny of bourgeois custom and convention, to deflate the arrogance of the powerful, and to breathe new life into a theater that had become tradition-bound and commercialized.
Pinocchio's Progeny offers a broad overview of the uses of these figures in European drama from 1890 to 1935. It considers developments in France, Spain, Italy, Austria, Germany, Sweden, Russia, Poland and Czechoslovakia. In his introduction, Segel reviews the premodernist literary and dramatic treatment of the puppet and marionette from Cervantes' Don Quixote to the turn-of-the- century European cabaret. His epilogue considers the appearance of puppets and marionettes in postmodern European and American drama by examining works by such dramatists as Jean-Claude Van Itallie, Heiner Müller, and Tadeusz Kantor.
"Synopsis" may belong to another edition of this title.
Review
"Excellent critical analyses...Pinocchio's Progeny should have wide appeal to theater professionals and certainly shoud be on the shelf of all puppeteers, amatuer or professional. A number of explanatory notes, some illustrations, an excellent bibliography, and a useful index contribute to the value of this uniquely inmportant study." -- Günter Berghauds, Oxford Journal
"About the title" may belong to another edition of this title.
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