Picture Perfect: Landscape, Place and Travel in British Cinema before 1930
Language: English
Published by University of Exeter Press, 2007
- Softcover
- New
Seller: Bill & Ben Books, Faringdon, United KingdomBill & Ben Books
AbeBooks seller since March 3, 2025
Condition: New
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Add to basketItem description from seller
The British cinema has drawn extensively on our national landscapes. Filmmakers have explored the entrenched myth of an idyllic rural tradition, intimately bound up with a popular definition of national heritage. Conversely, within a documentary-realist framework, they have looked at the contemporary urban aesthetic, derived partly from a Victorian tradition of social investigation. The fifth in a series of volumes from the annual British Silent Cinema Festival held in Nottingham (and the first to be published by Exeter), this collective study offers an original treatment of the relationship between pre-1930 cinema and landscape. The Nottingham festival from which this collection derives brought together a group of leading specialists - practitioners, academics and individual researchers - who between them provide a detailed investigation into the national cinema before the sound era.
Seller Inventory # 0055710
- Title
- Picture Perfect: Landscape, Place and Travel in British Cinema before 1930
- Author
- Bryony Dixon, ? Laraine Porter
- Publisher
- University of Exeter Press
- Publication year
- 2007
- Condition
- New
- Binding
- Paperback
- Language
- English
- ISBN 10
- 1905816014
- ISBN 13
- 9781905816019
The British cinema has drawn extensively on our national landscapes. Filmmakers have explored the entrenched myth of an idyllic rural tradition, intimately bound up with a popular definition of national heritage. Conversely, within a documentary-realist framework, they have looked at the contemporary urban aesthetic, derived partly from a Victorian tradition of social investigation.
The fifth in a series of volumes from the annual British Silent Cinema Festival held in Nottingham (and the first to be published by Exeter), this collective study offers an original treatment of the relationship between pre-1930 cinema and landscape. The Nottingham festival from which this collection derives brought together a group of leading specialists – practitioners, academics and individual researchers – who between them provide a detailed investigation into the national cinema before the sound era.
"Synopsis" may belong to another edition of this title.
About the Author
Simon Brown is Associate Professor in Film and Television at Kingston University. His main areas of research are early cinema, British cinema, colour cinematography and contemporary American television. He joined Kingston University in 2004 after spending a decade at the BFI National Film and Television Archive, sourcing and restoring old films.
In 2004, in addition to teaching at Kingston, he was Senior Research Fellow for The London Project, a year-long AHRB funded project researching the history of the British Film Industry in London from its inception to 1914.
He has written about and taught a range of Film, TV and Media related subjects such as Film History and Technology, National Cinemas including Britain, China and Hong Kong, Cult Film and Television, Horror, Censorship, Documentary and the History of Non-Fiction Film, Archiving and the Media Industry as well as Contemporary American Film and Television.
"About the title" may belong to another edition of this title.
Bill & Ben Books
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