Picasso Ingres (Paperback)
Christopher Riopelle
Sold by AussieBookSeller, Truganina, VIC, Australia
AbeBooks Seller since 22 June 2007
New - Soft cover
Condition: New
Ships from Australia to U.S.A.
Quantity: 1 available
Add to basketSold by AussieBookSeller, Truganina, VIC, Australia
AbeBooks Seller since 22 June 2007
Condition: New
Quantity: 1 available
Add to basketPaperback. An exploration of the fascinating parallels and differences between Picassos Woman with a Book and Ingress Madame Moitessier This publication examines, in detail, two extraordinary interrelated works: Picassos Woman with a Book (1932) and Ingress Madame Moitessier (184456). Each painting is explored in depth, illuminating the parallels and differences between the artists techniques and creative ambitions. The first essay tells the story of the twelve-year gestation of Ingress Madame Moitessier, focusing on the role of drawings in the elaboration of the composition, and of the sitter herself in determining how she was to be presented. The second essay traces the development of Picassos Woman with a Book, among the most celebrated likenesses of the artists young lover, Marie-Therese Walter. In contrast to Ingress work, it was painted in just a day or two. The final essay explores, through these two works, the artists shared interest in the relationship between nude and clothed bodies, revealing the depth of Picassos engagement with Madame Moitessier, which motivates and animates Woman with a Book. An exploration of the fascinating parallels and differences between Picassos Woman with a Book and Ingress Madame Moitessier Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Seller Inventory # 9781857096828
An exploration of the fascinating parallels and differences between Picasso’s Woman with a Book and Ingres’s Madame Moitessier
This publication examines, in detail, two extraordinary interrelated works: Picasso’s Woman with a Book (1932) and Ingres’s Madame Moitessier (1844–56). Each painting is explored in depth, illuminating the parallels and differences between the artists’ techniques and creative ambitions. The first essay tells the story of the twelve-year gestation of Ingres’s Madame Moitessier, focusing on the role of drawings in the elaboration of the composition, and of the sitter herself in determining how she was to be presented. The second essay traces the development of Picasso’s Woman with a Book, among the most celebrated likenesses of the artist’s young lover, Marie-Thérèse Walter. In contrast to Ingres’s work, it was painted in just a day or two. The final essay explores, through these two works, the artists’ shared interest in the relationship between nude and clothed bodies, revealing the depth of Picasso’s engagement with Madame Moitessier, which motivates and animates Woman with a Book.
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