Phyllis Webb and the Common Good : Poetry/Anarchy/Abstraction
Language: English
Published by Talonbooks, Limited, 2007
- Softcover
- Used
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- Title
- Phyllis Webb and the Common Good : Poetry/Anarchy/Abstraction
- Author
- Collis, Stephen
- Publisher
- Talonbooks, Limited
- Publication year
- 2007
- Condition
- Very Good
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 0889225591
- ISBN 13
- 9780889225596
- Item weight
- 0.666 pounds
- Dimensions
- N/A
Phyllis Webb is a poet around whom archetypes tend to cluster: the reclusive artist; the distraught, borderline suicidal Sapphic woman poet. While on the surface she seems someone supremely disinterested in the public sphere, argues Stephen Collis in this brilliant and revealing new celebration of her work, Webb is no domestic, as a creator or a critic. Her work sweeps into the wilds of politics, philosophy, economics and her slim books speak volumes. If there is a sense of abandoned projects hovering as ghosts on the margins of her books it is a purposeful abandonment, an anarchist’s abdication of positions of power and authority.
Webb’s work points steadily towards the idea that the poem is not a commodity to be hoarded, but a response-ability to be shared, an aspect of the commons and our “common good.” The gradual dissolution of the lyric I traceable over the course of her writing career mirrors both the development of avant-garde poetics across the century and the anarchist inflected notion of the poem as a common property ―an effect of language (the commons) and not the self (the private).
In this sense Collis reads Webb’s poetry as it conjoins (and simultaneously diverges from) various twentieth-century literary movements and moments―it is this tension in her work which makes Webb a modernist whose writing nevertheless provides an opening into postmodernism. Her work constructs bridges across numerous conceptual divides: the (porous) boundaries between poetry and painting, poetry and politics, modernism and postmodernism, the lyric and the long poem, the ontologies of the self and the other.
The changes across decades of Webb’s writing, Collis argues, mirror changes in the approaches of the twentieth-century avant-garde to questions of responsibility and abstraction, locating her work in the Image-Nation of radical, philosophically engaged poetries that have flourished throughout twentieth-century North America.
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About the Author
Stephen Collis is the author of fifteen books of poetry and prose, including The Commons (2008), the BC Book Prize–winning On the Material (2010), and Almost Islands: Phyllis Webb and the Pursuit of the Unwritten (2018) – all published by Talonbooks. A History of the Theories of Rain (2021) was a finalist for the Governor General’s Award for poetry, and in 2019 Collis was the recipient of the Writers’ Trust of Canada Latner Poetry Prize. The Middle (2024), the second volume in a trilogy, was published in October 2024, and Knock Down House, an experimental memoir, was published by Pamenar Press in 2025. He lives on Burnaby Mountain, unceded Coast Salish Territory, and teaches poetry and poetics at Simon Fraser University.
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