A Philosophy of Music Education: Advancing the Vision
Reimer, Bennett
Sold by ThriftBooks-Reno, Reno, NV, U.S.A.
AbeBooks Seller since 25 May 2012
Used - Soft cover
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Add to basketSold by ThriftBooks-Reno, Reno, NV, U.S.A.
AbeBooks Seller since 25 May 2012
Condition: Used - Good
Quantity: 1 available
Add to basketPages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Seller Inventory # G0130993387I3N00
For undergraduate- and graduate-level courses in Introduction to Music Education, Foundations of Music Education, History and Philosophy of Music Education, and Contemporary Issues in Music Education.
This text advances the philosophy of its previous editions into new territory, recasting it in light of emerging ideas and interests in philosophy in general and in philosophy of music in particular. The foundational concept―that the values of music are gained through direct experiences with its meaningful sounds―remains intact, but is explained and applied in broader, more inclusive scope, with a synergistic philosophical stance as the basis.
The first (1970) and second (1989) editions of this book played a significant role in establishing the philosophy of aesthetic education as a widely accepted basis for the field of music education in the United States and around the world. Few if any alternative philosophies were offered during those times, allowing the field to establish a strong, common bond of values and aspirations, powerfully fueled by the widespread adoption of this book.
In the 1990s and to the present, professional philosophical work in music education grew dramatically, leading to a higher degree of sophistication and the emergence of more varied alternatives than ever before in its history. Confusion about basic values began to be felt, with concomitant loss of security and of a broadly shared vision. Fragmentation and disunity became a real possibility.
This edition offers a synergistic solution to problems of professional philosophical uncertainty. It argues that what seem to be alternative value positions are better viewed as varied approaches to goals most music educators share, goals now encompassing a wider diversity of values than had previously been recognized.
A key addition is the author's new theory of intelligence, based on roles rather than frames of mind. By demonstrating how each of various musical roles constitutes a particular manifestation of intelligence, he liberates the concept of intelligence from its traditional and continuing narrowness. The challenging implications of the philosophy are spelled out both as the conclusion of each chapter and as the culminating chapters of the book.
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