Performing Collaboration in Solo Performance
Language: English
Published by Intellect Books, 2020
- Hardcover
- New
Condition: New
£ 64.55
Quantity: 5 available
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KlappentextThis book investigates performance practice and practice-as-research methodology on the issues of authorship and collaborative labor in a world characterized by fragmentation, displacement, and virtual relationships. It addres.
Seller Inventory # 400013431
- Title
- Performing Collaboration in Solo Performance
- Publisher
- Intellect Books
- Publication year
- 2020
- Condition
- New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 178320995X
- ISBN 13
- 9781783209958
The book provides an investigation grounded in creative writing and practice-as-research methodology and explores the issues of authorship and collaborative labour in contemporary performance. This investigation is set in the context of a world more and more characterized by fragmentation, displacement and virtual communication and relationships. It addresses and playfully engages with the following questions: what is a collaborative body? Can a sole performer carry out a collaborative practice ? Can we stand in for others? What forms of “coming-together” might take place when distance remains between those who perform and those who spectate?
The book contains the full-length version of the score from A Duet Without You, an original performance piece created between 2013 and 2015 by Chloé Déchery in collaboration with a range of artistic collaborators working inter- and cross-disciplinary, including Karen Christopher, Pedro Iñes, Simone Kenyon, Marty Langthorne, Tom Parkinson, Michael Pinchbeck and Deborah Pearson.
Alongside the playtext, the book entails a collection of essays written by independent writers, artists and academics and dedicated to the politics of collaboration, ranging from performative responses and co-authored articles to in-depth theoretical essays.
Primary readership will be those teaching, researching or studying in theatre and performance studies, visual arts, fine arts, art history, creative writing, poetry, philosophy or French literature. Will also be of interest to art school students and those with an interest in theatre.
"Synopsis" may belong to another edition of this title.
About the Author
Chloé Déchery is a performance-make, writer, pedagogue and Lecturer in theater and performance studies at the University of Paris 8 in Saint-Denis, France. Her research interests include everyday corporeality and embodiment; authorship and creative labour; the atmospheric turn and eco-feminism in performance.
She is the co-director of Performer Les Savoirs (Performing Knowledge) a research programme and curatorial platform. Recent publications include Performing Collaboration in Solo Performance: A Duet Without You and Practice as Research (ed); Artist.es-Chercheur.es, Chercheur.es-Artistes, Performer Les Savoirs (eds. Marion Boudier, ArTeC/les presses du réel, 2022) and theatre journals Documents-Matériaux, in thaêtre [online], Chantier #7, (eds. Marion Boudier), 2022 and Staging Atmospheres: Theatre and the Atmospheric Turn, volumes 1 and 2 (eds. Marion Martin Welton), ambiances [online], issues 6 and 7, 2020 and 2021. Atmosphères en scène : le théâtre à l’ère du tournant atmosphérique.
www.chloedechery.com
"About the title" may belong to another edition of this title.
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