Performance Research Methods | Interdisciplinary Methods for Theatre, Dance and Performance Studies
Language: English
Published by Open Book Publishers, 2025
- Softcover
- New
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Performance Research Methods | Interdisciplinary Methods for Theatre, Dance and Performance Studies | Liesbeth Groot Nibbelink (u. a.) | Taschenbuch | Englisch | 2025 | Open Book Publishers | EAN 9781805116073 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
Seller Inventory # 134206338
- Title
- Performance Research Methods | Interdisciplinary Methods for Theatre, Dance and Performance Studies
- Author
- Liesbeth Groot Nibbelink (u. a.)
- Publisher
- Open Book Publishers
- Publication year
- 2025
- Condition
- Neu
- Binding
- Taschenbuch
- Language
- English
- ISBN 10
- 180511607X
- ISBN 13
- 9781805116073
- Item weight
- 1,073 grams
- Dimensions
- 234 x 156 x 31 mm
- Seller catalogs
- Bücher
'Performance Research Methods' is the first comprehensive guide to contemporary methodologies in performance studies, offering a clear and structured overview of the tools currently shaping research in theatre, dance, and performance. While many volumes focus on individual methods, this book uniquely surveys a range of approaches, presenting their historical background, analytical potential, practical application, and interdisciplinary relevance.
Designed with clarity and usability in mind, each chapter follows a consistent structure: introduction, contextual framing, practical application, case study demonstration, interdisciplinary expansion, and suggestions for further reading. This format enables readers to compare methods with ease and understand how each can be adapted to real-world research.
Developed by scholars actively teaching these methods in graduate and undergraduate programs, this hands-on volume addresses a key gap in the field: the lack of explicit, accessible discussions of performance research methods. Responding to the societal, technological, and ecological contexts of contemporary performance, the book makes visible the knowledge practices that often remain confined to the classroom.
Accessible to students, researchers, and arts professionals alike, this volume provides an essential resource for anyone looking to engage critically and creatively with performance in the twenty-first century.
"Synopsis" may belong to another edition of this title.
About the Author
Laura Karreman is an Associate Professor in Media and Performance Studies in the Department of Media and Culture Studies at Utrecht University, the Netherlands. She teaches in the MA program Contemporary Theatre, Dance and Dramaturgy and the Research MA Media, Art and Performance Studies (MAPS). She is also the programme coordinator of the MAPS programme. She researches the role of embodied knowledge in dance transmission practices, the role of digitization in performance archives, and epistemological questions that relate to new notions of performance knowledge emerging from developments in the area of AI and Human-Robot interaction. Her PhD dissertation, "The Motion Capture Imaginary: Digital Renderings of Dance Knowledge" (Ghent University, 2017), examined how dancing bodies are reimagined through emerging practices and applications involving motion capture and other digital capturing technologies. Within the research group Transmission in Motion of the Department of Media and Culture Studies (UU), she relates to topics such as dramaturgy, somatechnics and mobilizing the archive. In her current research she continues to investigate the rapid growth of motion capture as a tool for movement research and animation in order to critically evaluate the cultural and ethical implications of such practices, which now often remain invisible. She is co-editor of the volume Performance and Posthumanism: Staging Prototypes of Composite Bodies (Palgrave Macmillan 2021). Other recent publications include the book chapters "Breathing Matters: Breath as Dance Knowledge" in Futures of Dance Studies (The University of Wisconsin Press, 2020) and "How does motion capture mediate dance?" in Contemporary Choreography: A critical reader (Routledge, 2017), and a chapter on "Cultural Dreams of Datafied Bodies" in the Routledge Companion on Performance and Technology (forthcoming). In 2024, she was conference director of the 9th International Conference on Movement and Computing (MOCO) at Utrecht University.
"About the title" may belong to another edition of this title.
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